Cameras everywhere. Miles and miles of raw video images are being collected every minute of every day, of almost every situation. More and more, programmes are being created around exceptional scenes, captured on camera, but not necessarily meant for broadcast. Seeing is believing. When you discover revealing images, how do you manage the moral and legal rights to broadcast them? How important is the context of the footage? How do you construct a compelling television narrative?
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From UPF
Helle was 41 years old, married and a mother of three children. She suffered from epilepsy, and that was why she went to the top hospital in Denmark to undergo an… -
From UPF
In 2001, in the offices of the secret police of Poland, a few boxes were found. Inside were films with material made between 1966 and 1985 by police filmmakers. There… -
From UPF
In 2001 the leaders of the industrialized nations met in Genoa for their annual summit – and at the same time 300.000 antiglobalists met there to demand a more…