Generally we expect stories to be presented from diversifi ed points of view – but what happens if somebody has only one – but a very strong one? Is it necessary to put away the question: how valicolored is the world and to ask another one: how deep is it? If we accept stories covered from a single point of view we may ask: Where is the authenticity? The person telling the story? The director of the programme? A Witness? or sometimes the viewer, who has to develop his/her own point of view? Can we put our trust in the writer of a diary or in the camera person documenting the background events behind a big political show? Strong and uncommon stories abouth unknown secrets.
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In the days following the Red Army’s liberation of the concentration camp zone of Auschwitz- Birkenau in January 1945, several manuscripts concealed in make-shift…
Sonderkommando Auschwitz-Birkenau
From UPF
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A story of friendship of two cinema amateurs. The successful theater director Alexander lives in a country house with his wife Yulia and children. A cinema amateur…
St. Petrovic
From UPF
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