Generally we expect stories to be presented from diversifi ed points of view – but what happens if somebody has only one – but a very strong one? Is it necessary to put away the question: how valicolored is the world and to ask another one: how deep is it? If we accept stories covered from a single point of view we may ask: Where is the authenticity? The person telling the story? The director of the programme? A Witness? or sometimes the viewer, who has to develop his/her own point of view? Can we put our trust in the writer of a diary or in the camera person documenting the background events behind a big political show? Strong and uncommon stories abouth unknown secrets.
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