How can a filmmaker present the work of writers on television in a fictional, rather than documentary form? The interpretation of poetry is subjective and so is the language used in these films. The sound of spoken words serves as inspiration for visualized thoughts and emotions. But how do the filmmakers know the poet´s intentions? The results are subjective and provocative - perhaps even synthetic - portrayals of literature and of those who create it.
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From UPF
Gaston Chaissac, (1910-1964) prolific sketcher, painter, writer, inspired inventor of plastic and literary forms, left diverse work. He used the most varied techniques… -
From UPF
Is it daytime or nighttime? Is this New York, or somewhere else? Let us assume it is a New York apartment, haunted by something that lives there. Or does something live… -
From UPF
“The Man Who Never Was” combines the poetry of the great Portugese writer Fernando Pessoa with computer images and dance based on visual creations of his…