Let’s face it: after a too rich symposium there are bound to be leftlovers, half chewed programs, not discarded, but not totally digested either, by the 16 good men and women who belabored and quarrelled for a fortnight to select and schedule INPUT 92. I found these programs in the thick layers of rejects that covered the floor of Florence RAI Center, when everybody left. These are programs that might even have something in common: an unusual angel, a narrative trick, a stylistic novelty, an approach that make them worth some attention.
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