Here are two pearls, two stories that seem to have nothing in common; besides the names of their protagonists and that they are powerful. Conversation about films is often limited to a debate on the themes raised. Why, if most of the hard work was spent on the construction of the story? Let's meet two talented young storytellers. Let's go back with them to the important decisions that were taken in scriptwriting, shooting and editing. What was the role of the producers, commissioning editors, actors, editors and others in getting the story right? What was lost in the process? What was found? Killing the ones you love: cutting out precious scenes is often a decisive and painful moment in the editing. This session is dedicated to the loving memory of all the loves ones killed in the world.
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From UPF
Hana Vazana, a religious woman in her 60s, leaves Dimona to visit her son Menahem, who is locked up in solitary confinement in Ashkelon, charged with revealing state… -
From UPF
NO PLACE TO GO (DIE UNBERÜHRBARE) is the fascinating portrait of middle-aged writer Hanna Flanders, a monomaniac intellectual torn between her conflicting ideals…