Fiction, fiction and documentary, and video-documentary are the three narratives used to tell these stories. The first was produced by two young film-makers with very little money. Still, the sensitivity to the script and the art employed have resulted in a film of unusual power and passion. As for the second: Rarely do we find the realities of live blended so effectively with the fiction of storytelling to create the level of emotional power exhibited in this work. This is more than the story of the rehabilitation of a victim of an automobile accident; it is the visualization of a love story where television becomes part of the commitment to restore the will to live. The third piece is a video-documentary about Severine, a blind ten-year-old girl. The manipulation of the images, achieved through electronic technology, succeeds in introducing us to the imaginary world of the blind girl, enlightening us at the same time about our own visual perception.
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