Straight storytelling is a fine thing – programme makers and the audience are accustomed to it; but there are issues and circumstances that might require – and also suggest, other means of producing and structuring the programme. This session is about different approaches to depicting reality – real stories and historical events. Can you still believe in the truthfulness and authenticity of a programme when means are applied that do not comply with the reality? Is it important that the subject is depicted as it appears in reality? Or do the means serve the purpose?
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