Programme makers are constantly balancing their own values and principles with those of their subjects. Moral and ethical resolutions can be debated, but in the process of professional decision making what happens when a producer/director’s personal-political point of view comes into conflict with the objective truth? At what point do the beliefs expressed in a programme become propaganda. How should broadcasters handle the white-hot glow of politically and emotionally charged material? Three powerful programme probe the depths of these issues.
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