Programme makers are constantly balancing their own values and principles with those of their subjects. Moral and ethical resolutions can be debated, but in the process of professional decision making what happens when a producer/director’s personal-political point of view comes into conflict with the objective truth? At what point do the beliefs expressed in a programme become propaganda. How should broadcasters handle the white-hot glow of politically and emotionally charged material? Three powerful programme probe the depths of these issues.
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This creative and reflective documentary is a true story about a martyr’s daughter in Iran, who is torn between the admiration and loving memory of her father and…
He isn't but he is
From UPF
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This documentary looks at the Israeli-Palestinian conflict through the eyes of two mothers who lost their daughters in one deadly act of violence. The documentary…
To die in Jerusalem
From UPF
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Six israeli women give accounts about serving in the Israeli Defense Force in the ocupied territories. A female point of view on the drama of an unending war and on the…
To see if I'm smiling
From UPF
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