You are making TV, but have no pictures. Or no money. Or no interest from your audience. What to do? Forget all those fancy concepts of purity, tradition and (supposed) good taste. Mix genres – even if offends your ‘serious journalist’ sensibility - and make current affairs more digestible to a wider audience. Without losing your public broadcaster soul. Everyone loves eating. So how about using a gourmet meal to help explain, and even stop wars? There is your new format. And what about the usual dilemma of telling a story for which the camera was not present? Well, borrow from fiction: sets, actors, even animation. You do not have much of a budget? Set up cameras for 72 hours at a local hot spot. You got yourself a new series. When it comes to production techniques in this mixed session, nothing is sacred except the results – good, innovative television.
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The rules of this series are simple: We begin filming at the location and finish shooting 72 hours later. The programme offers viewers a glimps of the drama in…
A Greengrocer Without Borders
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In this series a war correspondent and a famous chef travel into war zones with a unique goal: to make dishes inspired by local cuisine, and gather people from all sides…
Dining with the Enemy
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Imagine seeing yourself on a newspaper’s front page. Imagine being denounced for something you haven’t done. This is the idea behind Front Page Victims: to…
Front Page Victims
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One survival story of The Great East Japan Earthquake/Tsunami especially gained worldwide attention: The Kamaishi Miracle. Children at the elementary school in the…
The Kamaishi Miracle
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