What personal and ethical issues must the filmmaker deal with when entering into a world normally closed to outsiders? And once we have been allowed in, where do our obligations lie? With the people who have let us in to their world? Or with the public for whom we are making the film?
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From UPF
“You know, I feel as if I’ve known this place since I was born. A home. I say that this is a place of life. Everything here is alive. Even death is… -
From UPF
In Custody allows us to glimpse the inside of a closed world that very few people in Sweden get to see. The writer of this teleplay used to be a jail guard, and The Jail… -
From UPF
More than 30,000 people have been killed over the last ten years in Colombia’s bloody civil conflict, in which left-wing guerillas fight against the government and…