Producers may sometimes decide to use themselves as the subject of their films. Through family history, the intimate secrets of existence may be revealed. Can autobiography avoid navel contemplation? How can the film-maker use the 'I' to put across a universal meaning?
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From UPF
'why did you leave me, Mummy? In 1961, filmmarker Camille Billops made a painful decision: to put her four-year-old daughter,Christa, up for adoption.'Finding… -
From UPF
'Intimate Stranger' is filmmaker Alan Berliner's cinematic bio of his grandfather Joseph Cassuto, a Palestinian Jew raised in Egypt whose passion for… -
From UPF
This is the second programme of a 7-week season of highly unconventional films and videos by a new generation of British film and video- makers. The first film, by Ngozi…