Let’s focus on three unique fiction formats, which use religion as a core plot for storytelling. All examples deal with Christian religion, but the topic is more global than ever. Religious convictions surely affect all nations today - as well as the lack of spiritual values do(es), but are we ready to face God in fiction? The screening provides one drama-series set in a seminary for young priests, a comedy series with female gods in the lead, and an epic animation. What risks do we face, putting two odd ladies play God in a comedy series? What are the specific pitfalls and opportunities when creating religion driven characters in psychological drama series? How do we make these programmes reach all audiences, if religious or not? Can religious formats travel and perform on international markets considering that every country has its own view on religion?
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From UPF
For thousands of years the vast majority of people believed in a single, omnipotent God. Ruler of heaven and earth, Creator of the world. Nothing, however, could be… -
From UPF
First day at Capucins Seminary for four young men, Emmanuel, Yann, Raphaël and Guillaume. Father Fromenger, the unconventional director, adresses to them his… -
From UPF
The Tragedy of Man is an animated work in progress by the director Marcell Jankovics. The protagonist of Madach’s play is the first human couple, which is, after…