It can be argued that the perfect documentary exposé is one that is loved by both those who are being exposed and those who do the exposing. Too often in our business we exposers do work that is heavily criticized by the subject. In this session we concentrate on four programmes that succeed in pleasing the subjects of the enquiry and, at the same time, in showing them for what they really are which is, in most cases, silly and, in some, even worse.
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