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A simpathetic examination of the problems of the Appalachian Junkman. The program is an example of a simplified, direct approach to documentary film. The lack of… -
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'BREAD' Tells the story of a family living in a remote town in the southern, arid part of Israel. The head of the family and its bread-winner is Shlomo… -
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The other side of the 'computer revolution' seen from the viewpoint of workers who have no control over the new machines. Supermarket checkout clerks,… -
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Documentary on brick manufacturing.
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INPUT
- 1970-1979
-
1980-1989
- 1980 WASHINGTON USA
- 1981 VENICE Italy
- 1982 TORONTO Canada
- 1983 LIEGE Belgium
-
1984 CHARLESTON USA
- A long way from home
- All in the family
- Arts Showcase 1
- Arts Showcase 2
- Arts Showcase 3
- Clandestine
- Electronic (in)decency
- Facing up to fear
- Fiction from three worlds
- Friends in an alien landscape
- Human rights
- In and out of work
- Is there life after TV?
- On becoming free
- On-demand INPUT 1984
- Portraits of survival
- See you tomorrow?
- Stories from Africa
- The play’s the thing (Part 1)
- The play’s the thing (Part 2)
- The play’s the thing (Part 3)
- Told_ untold_ retold
- TV art on art
- Under the skin
- We don’t need no education
- Where are the Russians?
- Who cares?
- With god on our side
-
1985 MARSEILLE France
- After the bomb (The age of anxiety)
- Angry men (The battle of the sexes)
- Angry women (The battle of the sexes)
- Art revealing art (Art and artists)
- Confrontations (Story telling)
- Everyday_ everywhere: stress (The age of anxiety)
- Explorations: amusing lessons (Story telling)
- Extending the boundaries of consciousness (TV as a catalyst for change)
- Implications of video revolution
- In the tide of history (Television and the past)
- Law and disorder
- Leaving home (Story telling)
- Let the people talk (Truth is selective)
- On-demand INPUT 1985
- Performance (Art and artists)
- Perspectives on a theme: World War II (Television and the past)
- Portraying Personal Troubles
- Recession and recovery (The age of anxiety)
- Reds (Television and the past)
- Television and politics (session 1)
- Television and politics (Session 2)
- The artist in exile (Art and artists)
- The fear of tomorrow (The age of anxiety)
- The individual vs. The state (Story telling)
- The language of images (Art and artists)
- TV and Taboos—Is TV voyeuristic (1)
- TV and Taboos—Is TV voyeuristic (2)
- World War II: the sequel (Television and the past)
-
1986 MONTREAL Canada
- A lot for less? Part I – Documentaries
- A lot for less? Part II - Dramas
- A video anthology
- A world under the electronic spell
- Authored documents
- Beating Dallas
- Big pictures on small screen
- Big puzzle on small screen
- Broadcasted ethics: whose side are you on?
- Camera’s steady gaze
- Crossing the divide
- Dangerous classics
- Docudrama and dramadoc
- Elements of style
- Emotional landscapes
- Fiction or reality?
- Intimates scenes
- Music – something else
- Myth and reality
- On - demand INPUT 1986
- Personal stories / political issues
- Scanning our times: here and there!
- Shocking the viewer. How far?
- Surviving a system
- Television and the state
- The present screens the past
- Thou shalt watch!
- TV’s outsiders: personal visions
-
1987 GRANADA Spain
- A cry from the heart
- Beyond emotions
- Big ideas for a little screen
- Committed or not
- Committing video suicide
- Didn´t you read the script?
- Drama or documentary on South Africa?
- Emotional memories
- Finding creativity
- Finding Identities
- How much is too much
- I could have danced all night
- Images for the horrors of extermination
- In the midst of life-we are in death
- Investigative Journalism
- J'accuse
- Knocking down the walls
- Looking back in anger
- Mind your own illness
- Music video and visual music
- New trends in tv drama
- News as a show
- Old programmes_ new formats
- On - demand INPUT 1987
- Ordinary People
- Personal Worlds
- Sugar and spice: beyond the cliches
- The missionary position
- TV on filmmakers
- What am I like
- When power corrupts
-
1988 PHILADELPHIA USA
- A sense of place
- Are we going too far?
- Artists: Who are they and how do they do it?
- As time goes by… or_ time: on our side?
- Capturing Youth
- Classics: violating the text
- Dramatizing artists and ideas
- Filling the screen: big TV on small budgets
- First there was the word…
- From one medium to another
- I am my own camera
- If you can use your tools you can use mine
- Impossible investigations
- Investigating disparities
- It’s not the method –it’s the message
- Let’s have fun with suicide and sickness
- Life is the same everywhere? Drama as well?
- Looking at history –murder_ prejudice and every day life
- Looking at history: their own stories
- Me and the shadow
- New dance and performance for camera
- Not for Dr. Strangelovers only
- On demand INPUT 1988
- People vs. the powers that be
- Personal visions
- Persuasion: a morning at the fights
- Politics and religion
- Portraits: Are they true pictures?
- The villain and the victims
- Those kids!
- TV looks at itself
- Using all the means
- Whose story is it_ anyway?
-
1989 STOCKHOLM Sweden
- Approaching disability
- Arts and TV
- Arts and TV – session 1
- Challenging complacency
- Contemporary arts on TV
- Crime does pay
- Defending the truth
- Digging up the past
- Drama and social issues
- Drama: how to tell a story with style
- Drama: the loss of innocence
- First person TV
- Fooling the audience
- Info on sessions not yet introduced for this conference
- Is it fun to tell the truth? Or can serious stories be told in a humorous way? Session 2
- Is it fun to tell the truth? Or can serious stories be told in a humorous way? Session1
- Keeping dignity: from fiction to reality
- On Demand INPUT 1989
- PEARL 1:Open session on drama
- PEARL 2: watching television
- PEARL 3: Video language
- Phantasmagoric productions – session 2
- Phantasmagoric productions –session 1
- Question of identity
- Real time / Television time
- South Africa / From inside – outside
- The sound of reality
- TV looks at itself
- Youth in 1st_ 2nd and 3rd world
- “Orphans”
-
1990-1999
-
1990 EDMONTON Canada
- Back to the theatre
- Beyond the genres
- Cultures_ crossing_ clashes
- Death on the screen
- Dramatic forms: drawing from the old and the new
- Filming ourselves_ opening our souls
- History Stories
- History through his witnesses
- Instant reaction—distant reflection
- Journalism: getting too close to the source?
- Making a life/Making art
- New style for the old ceremony
- Obsession with violence
- On-demand INPUT 1990
- Parables
- Pearls INPUT 1990
- Powers of speech
- Producer courage—David vs. Goliath
- Producer courage—smashing the conventions
- Reality as drama—stronger than the real thing?
- Right under our noses
- Silent voices/intimate views
- Taking the time to see
- The filmmaker and Democracy
- The music within
- The Soap is in danger
- This is not a joke
- Who is speaking?
- Young and Fast
-
1991 DUBLIN Ireland
- Close-ups
- Cover up
- Crying or laughing with reality
- Death of feeling
- Drama unchained: sex_ slime and electrocution
- God on TV
- Let’s boogie
- Low budgets
- New voices form the South
- North / South: looking at ourselves – session 11.
- North / South: North looks south. North looks North. Session 1
- One land_ two ways of trating the hot stuff
- Pearls INPUT 1991
- Points of view: independents in the United States
- Pump up the style
- Quintessential TV
- Reconstruction 11
- Reconstruction 1: documentary history – truth and illusion
- Sounds of silence
- Strong individuals – moving stories
- The East – views from outside_ views from inside
- The role of commentary
- TV wars
- Wars: Setting the Record Straight
- Welcome to the ghetto - arts unlimited session 1
- Welcome to the ghetto – arts unlimited session 11
- What’s courage?
- Whose truth?
-
1992 BALTIMORE USA
- An oblique look 1
- An oblique look 2
- An unknown Europe
- Battle fatigue
- Breaking taboos (or how to put a condom in your carrot)
- Bringing back buried memories
- Challenging the conventions
- Investigation 1: Foot in the door
- Investigation 2: trial by TV
- Leftlovers
- Let’s listen
- Mixed feeling – Mixed Culture
- On-demand INPUT 1992
- Once upon a time
- Pearls INPUT 1992
- So simple_ but it works
- To whom have we given a voice?
- TV confessions
- Where to draw the line?
-
1993 BRISTOL UK
- Do The Right Thing
- Face The Past
- Give It To Me Straight
- Home Movie_ World Movie Part 1: The Universal I
- Home Movie_ World Movie Part 2: Do It Yourself
- How Do You Feel? Voyeurism Or Moral Message?
- I know I´m Right!
- Images of happiness
- Laugh Me Tender
- Lethal People
- Pearls 1
- Pearls 10
- Pearls 11
- Pearls 12
- Pearls 13
- Pearls 14
- Pearls 15
- Pearls 2
- Pearls 3
- Pearls 4
- Pearls 5
- Pearls 6
- Pearls 7
- Pearls 8
- Pearls 9
- Roots
- Short Stories
- Storytelling And Philosophy
- Temptations To Tabloidism
- The Knack of Knowing: 3 Journeys Of Self-Discovery
- The many faces of art
- Violence and the quest for reconciliation
-
1994 MONTREAL Canada
- Ah_ je ris de me voir si belle en ce mirror
- Arts on Television: Do You Get the Idea?
- Arts on television: inside the artist
- Arts on television: Music in pictures
- Arts on television: Nothing but words
- Arts on Television: Unbearable realities
- First you shoot - Part 1: Violence on public television
- First you shoot - Part 2: Violence on public television
- Let´s Put in this Way
- My neighbour knows me better
- New documentary - Part 1
- New documentary - Part 2
- New World Disorder - Part I: My God What a Mess!
- New World Disorder - Part II: We Have a Wonderful Time!
- Pearls 1
- Pearls 10
- Pearls 11
- Pearls 12
- Pearls 13
- Pearls 14
- Pearls 2
- Pearls 3
- Pearls 4
- Pearls 5
- Pearls 6
- Pearls 7
- Pearls 8
- Pearls 9
- Private lives
- Single Plays
- Single plays - Television drama specials
- Take a Simple Idea
- Taking on the big boys
- Youth - Part I: How is public television handling programs for adolescents?
- Youth - Part II: You want to talk sex_ we want to talk aids
-
1995 SAN SEBASTIAN Spain
- All that is left is the music
- Author_ author?
- Breaking the mold
- Breaking the silence
- Cries of pain_ shouts of anger
- Crying and laughing and grasping the past. Four ways of making us remember (Part 1)
- Crying and laughing and grasping the past. Four ways of making us remember (Part 2)
- Dramas for today
- Great things come in small packages
- In search of the lost audience
- Is this new realism? (Part 1)
- Is this the new realism? (Part 2)
- It won´t hurt (Part 2)
- It´ won´t hurt! (Part 1)
- Jurassic classics
- Opera prima
- Pearls 1
- Pearls 10
- Pearls 11
- Pearls 12
- Pearls 13
- Pearls 14
- Pearls 15
- Pearls 16
- Pearls 2
- Pearls 3
- Pearls 4
- Pearls 5
- Pearls 6
- Pearls 7
- Pearls 8
- Pearls 9
- Raining Stones_ naked arias and subway pirouettes
- Serving their purpose
- Television loves revolutionaries... dead (Part 1)
- Television loves revolutionaries... dead (Part 2)
- Transcending time with young images. All the young and girls of their age
- Unexpected ways
- Watching tomatoes in the microwave (Part 1). Television and Explosive Family Matters
- Watching tomatoes in the microwave (Part 2). Television and Explosive Family Matters
- Yes_ but it´s great TV
-
1996 GUADALAJARA Mexico
- Art on the box (Part II)
- Art on the Box - Part I. Craft meets craft in a day of programes on_ about_ around_ above_ below_ with_ why and how the TV box b
- David and Goliath: Does the loudest voice ring clearest?
- Emotional overdose: (part I) Raising one´s voice
- Emotional overdose: (part II) Shock TV or social comment
- Exoticism: temptation to romanticize
- Faces
- From realism to poetry
- He loves me_ he loves me not: making the relationship work on TV
- I' witness
- In retrospect: telling the story_ unravelling the facts
- In your mind_ in your face: behind the facade
- Invisible threads
- Is it a bird? Is it a plane? No_ it´s...
- It takes a child
- It takes an open mind to navigate in the dangerous waters of male & female taboos
- Omni-TV
- Pearls 1
- Pearls 2
- Pearls 3
- Pearls 4
- Pearls 5
- Pearls 6
- Pearls 7
- Pearls 8
- Pearls 9
- Playing with the masters
- Signatures
- So near_ so far
- The emperor´s new clothes
- The power of metaphor
- The roots of dissent
- Think positive!
- Too close to be private - Too private to be close
- Very 'moving' programmes
- You would think it´s predictable. They made it great TV
-
1997 NANTES France
- Beyond the Bars
- Catch More Flies With Honey
- Changing Places - Changing Times
- Gross Exagerations
- Hey_ I´m Talking To You!
- Hitting the Target?
- Houses of Spirits
- I Confess
- Juggling Coulds
- Just the Two of Us
- Labour of Love
- Manufactured Stories: If It Doesn´t Fit Prime Time You´re Dead - Part One
- Manufacturing Stories: If It Doesn´t Fit Prime Time You´re Dead - Part Two
- Once Upon A Time Were Documentarists
- Pearls 1
- Pearls 2 - The Final String
- Picture This: Developing the Negative_ Black on White / White on Black
- Poetry in Motion
- Road Movies of the Soul
- Speak No Evil
- Take Me Along
- The Backrooms of the System
- The New Generation
- Too Much is Too Much
- Too True To Be Good
- Turn Me On_ Turn Me Off_ I Am Your Television!
- You Must Remember This
-
1998 STUTTGART Germany
- Are You Talking to Me?
- Beyond the Obvious
- Blinded by Power
- Challenge (or just trendy?)
- Close Up For the Wide Shot
- Fiction/Non-Fiction: Taking the Game to a New Level
- It Won´t Hurt a Bit
- Just Between the Two of Us
- Look at Me: I Can Seduce You
- My Own Story
- Pearls 1
- Pearls 3
- Pearls 4
- People in despair: Is TV Exposure Good_ Bad or Irrelevant?
- Pleased to Meet You! No Time to Know You?
- Power: In Front of or Behind the Camera
- Presumption of Innocence
- Remains for Today
- Run_ Walk_ Sit Down
- Shame on Your Raitings
- The East-Side Story
- The Estate We´re In
- Tickle My Docs-The Price for Going Prime Time
- TV Spotting: Television Fiction Lost and Found
- TV-Truffles
- Videos Diaries-Who Needs Professionals?
- Youth is wasted on the Young (Oscar Wilde)
-
1999 FORT WORTH USA
- After the War
- At a Respectful Distance
- Between the Lines
- Boys and Girls
- Breaking the Silence
- Cityscapes
- Composing History- Passe Compose
- Crucial Moments: At What Cost?
- Dreams
- Dressed For Success
- Escaping the Sync Sound Prison
- Giving Voice
- How Far Can We Go?
- Into the Fish Bowl: TV Circus
- Mom and Dad
- Morality Tales
- Pearls 1
- Pearls 10
- Pearls 11
- Pearls 12
- Pearls 13
- Pearls 14
- Pearls 15
- Pearls 16
- Pearls 17
- Pearls 18
- Pearls 19
- Pearls 2
- Pearls 20
- Pearls 3
- Pearls 4
- Pearls 5
- Pearls 6
- Pearls 7
- Pearls 8
- Pearls 9
- Poetry of Life
- Political Games
- Private Sphere_ Public Sphere
- S*T*E*R*E*O*T*Y*P*E*S
- Snack TV
- The Art of Entertainment
- Try the Unexpected
- Unusual Artistic Portraits of Artists
- Will This Air On Your Station? Unconventional Use of Archive
- You Could Make It Happen
-
1990 EDMONTON Canada
-
2000-2009
-
2000 HALIFAX Canada
- Budgets
- Departure:Death and Memory
- Distance
- Eureka: An idea that lights the way
- Face/Off
- Family/Familia
- Fictionalizing Fact: What can be done with found footage
- Form
- Gimme Shelter
- Global Responsability
- Haunted
- Impact I
- Impact II
- Intimate: About Personal Integrity
- Justice on Trial
- Legacy
- Literary TV: From Picas to Pixels
- Naked: Films That Expose People on the Edge of Society
- Pamphlets
- Parts
- Pearls I
- Pearls II
- Pearls III
- Pearls IV
- Pearls V
- Pearls VI
- Pearls VII
- Roundabout
- Suitable for Children?
- Tempo: Is television fast enough?
- Testimonies_ Part 1
- Testimonies_ Part 2
- Unusual Fiction
- Up Close_ Personal & Digital
-
2001 CAPE TOWN South Africa
- Art in TV is an art
- Collisions_ culture and clash
- Digital realm
- Encore
- Fiction made for TV
- Freak Shows
- Hard Core Public TV
- Haunting History
- Heavenly hell!
- Magic ears_ magic eyes
- Mutual Feeding
- Natural soap
- Nuts about shorts
- Old genres_ new forms
- Pearl
- PEARL 3:Video language – open session
- Personal is political
- Recreating History
- Resources
- Sex and Hypocrisy
- Showing the invisible
- Slice of Life
- Staring down death
- Teacher in a Box
- The Mirror Cracked
- TV fiction
- We are family
- Yes! It’s entertainment. Yes_ it’s politics!
- Young storytellers
-
2002 ROTTERDAM Netherlands
- Basic Instincts
- Changing Landscapes
- Democracy in Stormy Weather
- Don't Act
- Female Nation
- Film Maker's Responsibility
- Friends on Friends
- Get Shorty
- God Cam
- Grateful Dead
- History Telling
- I'm in the Mood for Love (Simply Because You're a Producer)
- Let's Make History
- National Traumas
- Pearls before Swine
- Searching for the New Family
- Special Formats
- Special Screening
- Telling Hanna(h)'s Story
- The End of the Endless
- The Miracle Cure
- The Perfect 1/2 Hour
- These Strange Things
- Too Close for Comfort ?
- Unfriendly Territory
- War: Image and Reality
- When You've Never Eaten a Strawberry_ You Want to Know What It Tastes Like
- X-Raying the Country
- Youth Formats
-
2003 AARHUS Denmark
- AGENT OF CHANGE
- ARTSY FARTSY?
- BECOMING THE INVESTIGATOR: WHAT HAPPENS WHEN JOURNALISTS TURN INVESTIGATORS?
- BIG STORIES – SMALL SCREENS: GLOBALIZATION
- BRAVE NEW PROGRAMMES
- CATCHY FORMATS
- CONSTRUCTING THE TRUTH: PRAVDA... NIXON... LEGO!
- DANGER ZONE: YOUTH AT RISK
- DEEP THOUGHTS ON TV – A SLEEPER OR A THRILLING RIDE?
- EXPOSING MY FAMILY
- FAST_ CHEAP AND GOOD:FICTION ON A TIGHT BUDGET
- GET THEM TALKING
- HIGH HOPES_ SHATTERED DREAMS AND PULLING THE PIECES TOGETHER
- HOW DID YOU GET THAT FOOTAGE? REMARKABLE MOMENTS – CAUGHT ON VIDEO – NOW BUILD A STORY
- HUMOUR AS THE WEAPON!
- LET’S TRY IT WITH A SONG
- MAKING REAL LIFE STORY LINES
- NOW IT CAN BE TOLD
- PODER! POWER OF TV! – HANDING IT OVER IN THE ANDES
- PRETTY SENORITAS: WHO’S ON TOP?
- RAPPORT: UNWRITTEN CONTRACT
- RISKY BUSINESS – WAR AND PEACE
- SECRET INGREDIENTS FOR FASCINATING FICTION
- SLOW? DULL? - WHO CARES?
- SPECIAL SESSIONS
- STAND ALONE PROGRAMME
- THE HYPER SUBJECTIVE POINT OF VIEW
- TOTALLY INSIDE
- TV AS A VEHICLE FOR DIALOGUE
- TV AS THE KEY TO HIDDEN WORLDS
- WHO IS USING WHOM? – ARE WE BOTH GETTING WHAT WE WANT?
-
2004 BARCELONA Spain
- Beyond Realism
- Case Studies: Roll tape!
- Community
- Creativity on the go
- Devils in the living room
- Don't forget to remember
- Don't worry_ be happy!
- Empowered by Art
- Every picture tells the story
- Everyday people
- Falling Star
- Global Headache
- Golden Years?
- Hide & Seek
- History Lite
- Keep your distance
- Let me explain it!
- Listen to me! Gaining access to the young
- Pearls 1
- Pearls 2
- Portrait of the artist as a hero
- Reel time?
- Swiss Army Knife
- The borderline of fear
- The Write Stuff
- Trust me_ I'm a filmmaker!
- Walking the tightrope
- Who is running the show?
-
2005 SAN FRANCISCO USA
- A World of Shadows
- All You Need is Love
- Cameras Behind Bars
- Confusion with Fusion
- Directing Kids
- Documentary as Therapy
- Filling in Historical Holes
- Imperial Ballroom
- Invading the Private
- It Ain’t Over ‘til the Fat Lady Sings
- Let the Pictures Do the Talking
- Low Budget Imaginative Drama
- Mighty Challenges
- One Man Show
- Post 9/11 Worlds: The battle for hearts_ minds_ and uplinks...
- Public Sex
- Questioning the Lords
- Role of Filmmaker
- Soundtrack of Life
- Stand Alone Programs
- Stand Alone: Faction: Fiction or Fact?
- Stand Alone: Real Family Drama
- The Host...Saint or Sinner?
- The Other Side of Reality
- TV Seeking Justice
- Uprising Future and Past
- Vote for Us! TV’s Impact on Elections and Viceversa!
- Who Will Tell Your Story?
-
2006 TAIPEI Taiwan
- Access Asia
- Analyze This
- Are you Serious?
- Better a Drama
- Blackboard Jungle
- Can we change reality?
- Closed to the public- entering forbidden worlds
- Courage and persistence
- Directing politics
- Dogs in Space
- Enter with care!
- For Your Eyes Only – Families_ Home Video and Public Broadcast
- Let's Give Kids a Voice
- Living History: The Time Tunnel Experience
- Memories Uncovered
- Mindscapes
- Music is it!
- National obsession
- Reaching out to youth
- Speaking up for the cause
- Stand Alone Programs
- The sound of music? Mixing genre
- The Stranger You Know
- Too close for comfort
- Wild_ wild formats
- Without words: hearing with your eyes
-
2007 LUGANO Switzerland
- About Fiction: A Success Story
- Access
- Archiving the Truth
- Crossing Borders
- Different Cultures_ Different Dramas?
- Feed the Monster!
- Frames of Art
- Get Personal: Big voices in small worlds meet small windows on the big world
- Help Yourself
- Honest With/About the Youth
- In-Your-Face TV: Satire_ Irony_ and the Deadly Serious
- Light
- Mind the Gap
- Objective and Subjective Realities:Personalizing the Past
- Pace on Earth
- Playstation
- Presenters’ Trips
- Process or Product
- Recreating History: Where are the boundaries between fact and fiction?
- Responsibility... What?
- TV as Therapy?
- TV on Trial
- War: Behind the Lines
-
2008 JOHANNESBURG South Africa
- Alone in a box
- Art attack
- Beyond correct
- Blow the Whistle
- Caution fragile
- Deraciner le rascisme / Uprooting racism
- Don't be a couch potato
- Ethics_ morality_ guilty
- F+!# Taboos
- Female wanted
- Finally TV
- In the beginning was the word
- Languages of drama
- Let me be myself
- Media Under the Knife – Deconstructing Media in the 21st Century
- Men at work!
- North to Europe-South to Africa
- One person's freedom is another person's
- Public secrets
- The basement tapes
- The elephant in the room
- Thinking about who we are
- Trips to the end of the night
- TV Becoming the Ringmaster
- Watching the detectives
- Whassup Widdat?
- Who owns the arts?
-
2009 WARSAW Poland
- (Copy) Rights
- Avoiding the Obvious
- Disclosure
- East + West - The Dynamics of Perception
- From Stage to Street
- Healthy popcorn
- Hong Paodao
- Is this real? Does it Matter Anyway?
- Just For Fun?
- Let’s Go Local
- Memory: A fi rst Draft of History?
- Mingle_ Swap or Divorce?
- Naked - Public Striptease and beyond
- No Pix? No Problem!
- Once Upon a Time... Storytelling at Its Best
- Open your eyes. Contact your lens.
- Out in the Open
- Prime Time at Stake! Don’t leave the audience slumbering in front of the box.
- Respect
- Stand Alone Session: The Paradilho
- The red race
- This is My Point of View!
- Trust
- TV/Internet Tomorrow_ NOW
- Warning... Viewing Could be Hazardous to Your Health!
- Who is in Control?
-
2000 HALIFAX Canada
-
2010-2019
-
2010 BUDAPEST Hungary
- Actors Writing Fresh Comedy - How Do They Do It?
- Between Fiction and Non-Fiction_ Between Private and Public
- Does Anybody Care About Investigative Journalism?
- Dramas and Traumas: Shrinks_ Patients and the Audience
- Economy on TV: Did We Do Our Job?
- Entering an Obsessed Mind – New Ultra-Focused Thriller Stories
- Heading to the East
- How to Build up and Educate Future Audiences!
- How to Rate High Rating Programmes: The Value of Market Shares in a Multimedia World
- Intimacy Exposed: How far Can We Go?
- Keep It Fresh! Creativity or Technology?
- Look at It My Way – About Filmmaker's Point of View
- Make Programmes – Not Politics!
- Personalising History – The Key to Success?
- Programming TV–Events: Constraints of Schedule and Audience Expectation
- Re-Inventing Archives: Old Pictures – New Stories
- Reality TV: Working with Volunteers_ Actors and Ordinary People
- Taking a Chance With Shrinking Budgets – Ending up With New Kinds of Programmes
- Taking the Bull by the Horns – Public Broadcasters and Controversial Public Issues
- The Art of Turning Science Into Edu-tainment
- The Audience – The Unpredictable Factor!
-
2011 SEOUL South Korea
- Are We Safe From Politics? Who is Really in Control?
- At Your Public Service: Education Made Entertaining!
- Beyond Entertainment
- Changing The World: Strategies to Make a Programme More Effective!
- Did You See That? Visual Ethics in TV Productions
- Don't Know Much About History Telling Old Stories in a New Way
- Exploiting_ Manipulating and Selling Out: Ethics in TV Productions
- Home Key
- How to Make Them Laugh to Love You: The Art of Comedy
- Keeping the Drama in Mixed Genres: Dramedy_ Doc Musical and Cinematic Poem
- Laughter as a Weapon Does it work?
- Learning from Each Other – Generation Conflicts in Drama
- Manipulating Attitudes - From Hollywood Westerns to Modern Social Media
- Programming for Platforms
- Reaching Out to the Youth
- Realistic Fiction vs. Fictional Reality Storytelling on the Verge of Deception
- Recipes to Avoid Disaster - Environmental Issues on TV
- Shaping Reality: From the Real World to Reality in TV
- Something You Don’t Know About Animation
- Test Tube Programming – From Internet to Television
- The Tricked Audience: Motivation and Effects of Delusive Programmes
- Thrilling the Teens Fiction Programmes for the Young Audience
- Village Without Women - The True Story About Three Farmers Without Wives
- Violence on TV: How to Deal with the Dark Side of Mankind!
- Who Do You Think You Are? The Role of Presenters on TV
- Why Should I Bother? TV as a Playground for Personal Missions
-
2012 SYDNEY Australia
- 10 Ways to Involve your Audience and use Social Media
- Accepting New Challenges: Shorter_ Cheaper_ Better?
- Be Inspired: Adapting Successful Drama Elements for Your Audience
- Can You Trust your Broadcaster? Politics and Media
- Change your Behaviour: The Impact of Factual Entertainment Programmes
- Comedy Rules the World: How to make a Hit Comedy Series on the Internet
- Common Ground: The ‘Mother’ of all Co-Productions
- Delivering a Fist of Irony: Current Affairs and Humour
- Don’t be Afraid of Sex! It’s Part of your Culture
- Easy Ways to Deliver Environmental Issues
- Fresh Fiction: Join-In Dramas_ Soap Noirs and other Buzz Creators
- Going for the Young Ones: Recipes to Reach the Next Generation
- Is the Web the Future of Documentaries?
- Mobile Phones as Witnesses: User Generated Content in the News
- New Trends In Comedy: Laughing at/with Outsiders and Fringes
- On Your Doorstep: New Ways of Telling History
- Our Problems are Your Problems: Mass Media and Minority Issues
- The Art of Genre Blending in Arts and Culture
- The Thrill of Political TV Drama
- This is Getting Too Close: When do you Turn off the Camera?
- Too Academic_ too Sophisticated? Delivering Bulky Content
- TV and Public Opinion: Enlightenment or Reinforcing Stereotypes?
- Unconditional Love and Touch Screens
- We Can do Better! Commercial Formats and Public Service Content
-
2013 SAN SALVADOR El Salvador
- 7 Ways to Excite Your Audience & Unusual Intimate Access
- Anatomy of a Daring Documentary: Exchange of Expertise
- Bread and Butter Online Programming
- Crusading Journalism - When Is It Journalism_ When Is It Just a Crusade?
- Desperately Seeking Identity
- Entertaining Fiction Dealing with Tough Issues
- Forget the Make Up_ These Women Are on a Mission!
- Get Me the Ratings! Attracting Attention to Get an Audience
- Growing up With TV
- How to Deliver Tough Topics to Teens
- Industry Buzz: Second Screen Programming
- Man Is Lost - so God Is Back in TV Drama
- My Camera is My Weapon
- Production Matters – Blending Styles and Formats in Current Affairs TV
- Re-discovering Entertainment and Reality Formats for Youth
- The Power of Television: To Hurt or to Hold Back
- Tools to Produce Programmes for Children
- TV Don’t Preach
- What makes Comedy and Satire Concepts Work Nationally - and What Makes Them Travel?
-
2014 HELSINKI Finland
- Chasing the young demographic
- CLOSING SESSION
- Cross media: short form content
- Cross platform and participatory storytelling
- Does cross platform deliver?
- Don’t bore me with history!
- Don’t vote me out_ please!
- Drunk_ desperate and dissatisfied - Do public media mirror or shape social attitudes?
- Fantasy_ sci-fi & psychological thriller - how to produce exciting new fiction worlds?
- Get close with style
- History: It’s not spinach television_ it’s yummy
- How to tell the impossible story?
- Humour and investigation - Are they compatible?
- Hungry for feelgood TV? Check out your local takeaways
- Involve me & I will engage
- Let’s talk about sex - but how?
- Make a strong opening…and keep your promise
- Personal dramas seen in their cultural context
- Research is everything
- Scriptwriting challenges worth taking
- Small ideas + long nights = big fun!
- Stand Alones: Fresh voices in the field
-
2015 TOKYO Japan
- Acting for Real
- Artistic License in History Documentaries
- Avoiding Clichés
- Balancing Between Real Life and Drama: What Are the Pitfalls?
- Be Observational and Get Close
- Being on TV at all Cost?
- Clear Messages for Young Minds
- Connecting with Tweens
- Don’t Get Emotionally Involved! Part 1
- Don’t Get Emotionally Involved! Part 2
- Formatting the Unexpected
- Hidden Cameras: The Truth at All Costs?
- How to Entertain with Social Issues?
- In Love With Knowledge: Inventions on TV
- Interacting With Your Screen
- Morals in Journalism: Where Does a Reporter Stand in Real-Life Tragedy?
- Scientific Experimenting is FUN?
- Some for the Road… – Closing Session INPUT 2015
- Television for the Fucked_ Fucked up_ Fucking up Generation?
- Telling Different Stories Differently
- The Mission of Investigative Journalism
- To Whet Your Appetite…
- When Cross Platform Tries to Change the World
- When Reality Interferes With Reality
-
2016 CALGARY Canada
- Ahaa! or Blaa Blaa? How to turn New Ideas into Aha!-Moments for your Audience
- Closing Session: Some for the Road let's Change Perspective
- Covering the Leaders
- Dealing With History
- Delight_ Confront and Challenge your Audience
- Digital Deception. Everyone is Now a Broadcaster or Publisher
- Don't you Fucking Bore Me
- Formating Intimacy - How New Interview Shows Get Personal
- Kill Bill - (How) Can we adapt Entertainment Asian Style?
- Local is Global - Or is It?
- Love Stories in Troubling Times
- Making Without Faking
- Me_ Myself and Eye
- Observing Brutality against Women in Other Cultures
- Opening Session: Getting Started!
- Poetry in Motion
- Recipes for Creative Storytelling: Artistic Approaches and Techniques
- Stand Alone Session
- Tough Topics: Would you want Your Kids to see This?
- Trying to Make Sense of Conflict
- Watching the Watchers - Surveillance and Privacy on the Web
- Who is the Audience?
-
2017 THESSALONIKI Greece
- Audience on the Edge of a Nervous Breakdown
- Bring Your Own Content
- Closing Session: One for the Road
- Creating Positive Change in Our Communities? Yes We Can!
- Don’t Take Yourself Too Seriously – The Fun Session
- Drama as Enemy of the State How to Produce Drama Amid Threats of Lawsuits and Censorship
- Innovative Arts Programmes: Painter_ Poet_ and Papa
- Interactivity?! Drama Beyond Broadcast
- Let’s Stick Together - Making TV WITH the Public
- Making Stories Travel On the Look-Out for New Sources of Inspiration in the World Drama Arena
- Netflix Originals Produced by Public Service Broadcasters (Why) Are We Becoming Their Development Department?
- New Formats – New Insights?
- Opening Session: Getting Started!
- Playing with People: Experiments on TV
- Popping the Bubble - Building on Stereotypes and Identity
- Simple Ideas
- Targeting Parents: Digital Puberty – The Media and Modern Parenthood
- The Biographer’s Dilemma
- The Cat and the Mouse: Do You Let Your Protagonist Get Away With Murder?
- Too Perfect to Be Real?
- Us and Them
- Using Public Footage and the Shady Boundaries of Revealing the Truth
- Visions of a Young Audience
-
2018 BROOKLYN United States
- #metoo – Looking back … in Admiration. To Those Who Paved the Way
- bye bye brooklyn - Hello bangkok!
- Changing Society_ One Program at a Time
- Coproduce or Die? If public broadcasters fiction wants to survive_ is co-production the answer?
- Creating the Past
- Dedicated to the Moms of the World: Images of Motherhood
- Freshly Crafted With Traditional Tools
- Getting Started: A Pledge for Public Service Media
- History as you Have never Seen it before Innovative ways of using historic archive material to tell new stories
- How to Get the Audience to Discuss Difficult Topics A German and a Dutch approach topped off with some Polish inspiration
- Inside Stories – Public TV Points the Camera at Itself Public TV employees sharing personal stories that matter to them
- I’m a Person not a Disability The collateral damage of inclusion
- Let’s Go One Step Further! Looking closer and closer - at LGbT history_ rights and lives
- Let’s Make Our Political Programming Great Again
- Making bacteria Attractive to the Audience
- Parental Guidance Suggested The role of public broadcasters in the area of Children’s Programming
- People_ History and racial Perspectives
- Real(ity) Drama
- Telling War Stories_ Far From the Front Lines
- The Vertical Canvas: Making Programs for Phones
- Under the Influence - Youtubers for a Change
- Visual Storytelling How to sharpen the visual aspects of our stories
- Was it Good for you? Sleeping With the Enemy
- Who the Hell Is Interested In Older People? They are the most loyal viewers_ yet they are bored by themselves
-
2019 BANGKOK Thailand
- Beyond the Soundtrack - When Music Is the Main Point
- Blast From the Past: Why Now?
- Building Better Lives at
- Capturing Love: How Can We Get Close Without Ruining the Moment?
- Chasing The Young
- Confronting Hate
- Do They Know What They’re getting Into?
- Documenting the Vulnerable: Telling the Stories of Young People in Tough Situations
- Documenting Traditional Cultures and the Pull of Modernity
- Getting Behind the Headlines
- Getting to Work
- I Was There
- In Search Of... On a Trail of Investigations_ Exposés and Everyday Questions
- Is Public TV a Safe Space?
- Keeping It Real: Creating the Feeling of Authenticity
- Living in the Real World
- My World / Your World: Creative Ways to Take Viewers Into Other People’s Lives
- Oh My God My Granddad Is an Avatar! Building Digital Bridges Between Age Groups!
- Opening
- Playing With Science
- Portraying Heroes: How to Tell Stories That Resonate
- Should I Stay_ or Should I Go? The Good and the Bad Side of Social Media!
- The Power of Silence: Showing vs. Telling
- When The Worst Happens: From Whose Point of View
- Who Are You to Tell Me Who I Am?!
- Who Gets to Be Funny?
-
2010 BUDAPEST Hungary
-
2020-2029
-
2022 BARCELONA Spain
- Beyond Ticking Boxes: Television Fiction With an Immersive Approach to Diversity and Inclusion. Experience it! Storytelling from within the path from representation to identification
- Does the End Justify the Means? Evil Formats for a Good Cause! Diversity in Reality TV
- Family Matters. Challenges and pitfalls in telling stories of our family history.
- Hey Just Get Out of the Way! Under-represented people telling their own stories effectively
- How Far Should We Go? When covering a humanitarian crisis involves putting yourself and others at risk.
- Images Speak Louder Than Words: The Medium and the Message. How to choose the most effective tools in animation and other trong visual storytelling.
- Love Murder and Secrets. Unlocking the elements that inspire the audience to watch the next episode.
- Media and Politics. How do they correlate?
- No Cat Content Needed! Useful tips & tricks for audience-centred content development without neglecting PSM values.
- Pandemic Programing: Good Things That Accidentally Came out of It. Lockdown Wonders Nr. 2 - How Covid-19 taught us to act quicker change workflows and dare try new stuff out.
- Portraying Abuse. Stand Alone: How to tell a difficult story involving vulnerable collectives.
- Present With a Difference Experiences with non-conventional or non-professional presenters
- Protecting the Vulnerable: Examining Social Care Institutions. How can fiction shape debates about such public institutions?
- Public Service Media on Their Toes. Lockdown Wonders Nr. 1 - PSM’s answers to the extraordinary pandemic situation
- Relax! This Is Not a History Lesson Bringing the Past Alive Without Putting Audiences to Sleep. Finding more inventive and subversive ways to use archives and when to avoid using them
- Smash Patriarchy One Story at a Time! Fiction written by women that tackle gender-sensitive topics
- Special Session. Reporting on a War
- Talking ‘bout my Generation: Young Creators New Audiences? Fiction for and created by the young
- The Best of Two Worlds: Good Formats for a Good Cause! How can programs commit to a noble cause and be entertaining at the same time?
- The Drama and Passion of High School Teen Life Teachers and Parents. Creating must see co-watching series for students and their families.
- The Invisibles. How to visualise those who cannot give witness (anymore)
- The Naked Truth: Challenging Faction: How does the combination of documentary elements and fiction add up to a final result?
- The New Normal: Approaches to Program-making That Are Here to Stay! Or Not? Lockdown Wonders Nr. 3 - Will the pandemic change our ways for good?
- Visually Giving A Voice. Difficult subjects and untraditional protagonists
- Who Is Not Crazy for Views? Pros and Cons of being successful on social media platformsand how this affects content and storytelling.
- Wrap it in! Comedy/dramedy! How can humour tackle serious issues?
- You Want The Truth? You Can’t Handle The Truth! Uncomfortable Investigations keeping the audience’s attention when factual nitty-gritty complicates the narration
-
2023 TAIPEI Taiwan
- (Not) In My Face Push or pull? How to get your message across on social issues in fiction
- Blurred Lines Where does Factual end and Fiction start?
- Close to Home Setting Up Your Camera on Your Doorstep
- Creative Recreations Are Dramatisations a Storytelling Thriller or Filler — or even a Killer?
- Different Tools to Unlock the Past What do an aviation disaster and the invention of the corset have in common? Yes; you are right: History.
- Do You Love Me; Do You Accept Me; Or Could You at Least Vote For Me? Personal revelations from protagonists and what we have to bear in mind
- Documentary Productions Across Borders: Towards a Win-Win in co-production
- Hardcore Public Broadcasting Should PSM be a vehicle for advocating certain values and positive social change? And who determines what positive social change is?
- How Weird is Too Weird? Misfits as Comical Cure in Times of Crisis
- Ingenious indigenous! How can indigenous broadcasters contribute to the preservation and increased use of native languages that are threatened with extinction?
- Investigating Invisible Crimes How to make audiences connect with how we tell stories about crimes that usually take place behind closed doors.
- Let’s Talk About Sex — But How? Innovative Formats on Sex Education
- Move over Professor! Broadcasting the Wisdom of Crowds How to transform the audience into a smart participant
- Pushing Impartiality to its Limits Holding the line on being fair and balanced under extreme circumstances
- Re-imagining the Role of the Presenter
- Reporting on Challenges Through the Eyes of Children
- Special Session Input @ Input — A Look Around the World of TV Trends: What impulses can we take away from commercial television?
- Special Session This Is Not the World We Want To Live In How PSM advocate social impact and active citizenship
- Special Session — PTS Rising Immersive VR/XR Power: Meet Taiwanese Talents
- Storytelling to and with the Audience: How not to mess it up
- The Charismatic Protagonist
- To Cut it Short Dos and Don’ts in short form storytelling
- Unconventional Culture Introducing creative and entertaining ways to bring the arts to television
- Watch out: Young Audience! How to inform in No Time
- We Will Survive! Crises and how to deal with them on PSM
- Who Am I? Lost in Identity Is the coming-of-age drama in transition?
-
2024 Charleston USA
- Decolonizing storytelling: Creating real space for re-telling the complete story
- Good company
- Guinea pigs: Storytelling in front of the camera
- Hope & Healing: Finding a light in the dark
- Hope and Healing: Finding a light in the dark
- I DOUBLE DARE YOU!
- I need a hero: Beware of creating heroic figures — you never know where they go
- INPUT in the world — the world in INPUT
- Just fun and games?
- Legacy: grasping storytelling using personal footage
- Mario Daza
- Now you see me: offering perspectives instead of changing perceptions
- OMG I can’t stop watching: Maybe we are all just nosy neighbors
- Pay attention. This is serious stuff!
- Playing with history: Finding historical sources in unlikely places
- Rules be damned! Catch new audiences by adding art to the storytelling rule book
- Sessio9 Now you see me: offering perspectives instead of changing perceptions
- Social Listening and the Vital Role of Public Media in Navigating Misinformation
- Some like it hot
- State of the Art Does the art shine through and find fresh inspiration?
- Surviving the storytelling: The risks we take when telling a multi-perspective story about tragedy
- Taking big risks: trail blazers or copy cats?
- The incomplete picture: How to tell a story with little or no access
- The tropes of travelling formats: Three showcases of programs that could cross borders. Or not?
- To do or too taboo? Sex death and mental health how do we engage viewers with the uncomfortable?
- Various positions of AI: A sceptical and flabbergasted introduction to the current use of AI in Public Service media
- We are family (or how to exploit your dearest)
- When documentary becomes part of history
- You be the judge Moving from B and W to shades of grey
- You be the judge Moving from B&W to shades of grey
-
2022 BARCELONA Spain
- Home
-
INPUT
- 1970-1979
-
1980-1989
- 1980 WASHINGTON USA
- 1981 VENICE Italy
- 1982 TORONTO Canada
- 1983 LIEGE Belgium
-
1984 CHARLESTON USA
- A long way from home
- All in the family
- Arts Showcase 1
- Arts Showcase 2
- Arts Showcase 3
- Clandestine
- Electronic (in)decency
- Facing up to fear
- Fiction from three worlds
- Friends in an alien landscape
- Human rights
- In and out of work
- Is there life after TV?
- On becoming free
- On-demand INPUT 1984
- Portraits of survival
- See you tomorrow?
- Stories from Africa
- The play’s the thing (Part 1)
- The play’s the thing (Part 2)
- The play’s the thing (Part 3)
- Told_ untold_ retold
- TV art on art
- Under the skin
- We don’t need no education
- Where are the Russians?
- Who cares?
- With god on our side
-
1985 MARSEILLE France
- After the bomb (The age of anxiety)
- Angry men (The battle of the sexes)
- Angry women (The battle of the sexes)
- Art revealing art (Art and artists)
- Confrontations (Story telling)
- Everyday_ everywhere: stress (The age of anxiety)
- Explorations: amusing lessons (Story telling)
- Extending the boundaries of consciousness (TV as a catalyst for change)
- Implications of video revolution
- In the tide of history (Television and the past)
- Law and disorder
- Leaving home (Story telling)
- Let the people talk (Truth is selective)
- On-demand INPUT 1985
- Performance (Art and artists)
- Perspectives on a theme: World War II (Television and the past)
- Portraying Personal Troubles
- Recession and recovery (The age of anxiety)
- Reds (Television and the past)
- Television and politics (session 1)
- Television and politics (Session 2)
- The artist in exile (Art and artists)
- The fear of tomorrow (The age of anxiety)
- The individual vs. The state (Story telling)
- The language of images (Art and artists)
- TV and Taboos—Is TV voyeuristic (1)
- TV and Taboos—Is TV voyeuristic (2)
- World War II: the sequel (Television and the past)
-
1986 MONTREAL Canada
- A lot for less? Part I – Documentaries
- A lot for less? Part II - Dramas
- A video anthology
- A world under the electronic spell
- Authored documents
- Beating Dallas
- Big pictures on small screen
- Big puzzle on small screen
- Broadcasted ethics: whose side are you on?
- Camera’s steady gaze
- Crossing the divide
- Dangerous classics
- Docudrama and dramadoc
- Elements of style
- Emotional landscapes
- Fiction or reality?
- Intimates scenes
- Music – something else
- Myth and reality
- On - demand INPUT 1986
- Personal stories / political issues
- Scanning our times: here and there!
- Shocking the viewer. How far?
- Surviving a system
- Television and the state
- The present screens the past
- Thou shalt watch!
- TV’s outsiders: personal visions
-
1987 GRANADA Spain
- A cry from the heart
- Beyond emotions
- Big ideas for a little screen
- Committed or not
- Committing video suicide
- Didn´t you read the script?
- Drama or documentary on South Africa?
- Emotional memories
- Finding creativity
- Finding Identities
- How much is too much
- I could have danced all night
- Images for the horrors of extermination
- In the midst of life-we are in death
- Investigative Journalism
- J'accuse
- Knocking down the walls
- Looking back in anger
- Mind your own illness
- Music video and visual music
- New trends in tv drama
- News as a show
- Old programmes_ new formats
- On - demand INPUT 1987
- Ordinary People
- Personal Worlds
- Sugar and spice: beyond the cliches
- The missionary position
- TV on filmmakers
- What am I like
- When power corrupts
-
1988 PHILADELPHIA USA
- A sense of place
- Are we going too far?
- Artists: Who are they and how do they do it?
- As time goes by… or_ time: on our side?
- Capturing Youth
- Classics: violating the text
- Dramatizing artists and ideas
- Filling the screen: big TV on small budgets
- First there was the word…
- From one medium to another
- I am my own camera
- If you can use your tools you can use mine
- Impossible investigations
- Investigating disparities
- It’s not the method –it’s the message
- Let’s have fun with suicide and sickness
- Life is the same everywhere? Drama as well?
- Looking at history –murder_ prejudice and every day life
- Looking at history: their own stories
- Me and the shadow
- New dance and performance for camera
- Not for Dr. Strangelovers only
- On demand INPUT 1988
- People vs. the powers that be
- Personal visions
- Persuasion: a morning at the fights
- Politics and religion
- Portraits: Are they true pictures?
- The villain and the victims
- Those kids!
- TV looks at itself
- Using all the means
- Whose story is it_ anyway?
-
1989 STOCKHOLM Sweden
- Approaching disability
- Arts and TV
- Arts and TV – session 1
- Challenging complacency
- Contemporary arts on TV
- Crime does pay
- Defending the truth
- Digging up the past
- Drama and social issues
- Drama: how to tell a story with style
- Drama: the loss of innocence
- First person TV
- Fooling the audience
- Info on sessions not yet introduced for this conference
- Is it fun to tell the truth? Or can serious stories be told in a humorous way? Session 2
- Is it fun to tell the truth? Or can serious stories be told in a humorous way? Session1
- Keeping dignity: from fiction to reality
- On Demand INPUT 1989
- PEARL 1:Open session on drama
- PEARL 2: watching television
- PEARL 3: Video language
- Phantasmagoric productions – session 2
- Phantasmagoric productions –session 1
- Question of identity
- Real time / Television time
- South Africa / From inside – outside
- The sound of reality
- TV looks at itself
- Youth in 1st_ 2nd and 3rd world
- “Orphans”
-
1990-1999
-
1990 EDMONTON Canada
- Back to the theatre
- Beyond the genres
- Cultures_ crossing_ clashes
- Death on the screen
- Dramatic forms: drawing from the old and the new
- Filming ourselves_ opening our souls
- History Stories
- History through his witnesses
- Instant reaction—distant reflection
- Journalism: getting too close to the source?
- Making a life/Making art
- New style for the old ceremony
- Obsession with violence
- On-demand INPUT 1990
- Parables
- Pearls INPUT 1990
- Powers of speech
- Producer courage—David vs. Goliath
- Producer courage—smashing the conventions
- Reality as drama—stronger than the real thing?
- Right under our noses
- Silent voices/intimate views
- Taking the time to see
- The filmmaker and Democracy
- The music within
- The Soap is in danger
- This is not a joke
- Who is speaking?
- Young and Fast
-
1991 DUBLIN Ireland
- Close-ups
- Cover up
- Crying or laughing with reality
- Death of feeling
- Drama unchained: sex_ slime and electrocution
- God on TV
- Let’s boogie
- Low budgets
- New voices form the South
- North / South: looking at ourselves – session 11.
- North / South: North looks south. North looks North. Session 1
- One land_ two ways of trating the hot stuff
- Pearls INPUT 1991
- Points of view: independents in the United States
- Pump up the style
- Quintessential TV
- Reconstruction 11
- Reconstruction 1: documentary history – truth and illusion
- Sounds of silence
- Strong individuals – moving stories
- The East – views from outside_ views from inside
- The role of commentary
- TV wars
- Wars: Setting the Record Straight
- Welcome to the ghetto - arts unlimited session 1
- Welcome to the ghetto – arts unlimited session 11
- What’s courage?
- Whose truth?
-
1992 BALTIMORE USA
- An oblique look 1
- An oblique look 2
- An unknown Europe
- Battle fatigue
- Breaking taboos (or how to put a condom in your carrot)
- Bringing back buried memories
- Challenging the conventions
- Investigation 1: Foot in the door
- Investigation 2: trial by TV
- Leftlovers
- Let’s listen
- Mixed feeling – Mixed Culture
- On-demand INPUT 1992
- Once upon a time
- Pearls INPUT 1992
- So simple_ but it works
- To whom have we given a voice?
- TV confessions
- Where to draw the line?
-
1993 BRISTOL UK
- Do The Right Thing
- Face The Past
- Give It To Me Straight
- Home Movie_ World Movie Part 1: The Universal I
- Home Movie_ World Movie Part 2: Do It Yourself
- How Do You Feel? Voyeurism Or Moral Message?
- I know I´m Right!
- Images of happiness
- Laugh Me Tender
- Lethal People
- Pearls 1
- Pearls 10
- Pearls 11
- Pearls 12
- Pearls 13
- Pearls 14
- Pearls 15
- Pearls 2
- Pearls 3
- Pearls 4
- Pearls 5
- Pearls 6
- Pearls 7
- Pearls 8
- Pearls 9
- Roots
- Short Stories
- Storytelling And Philosophy
- Temptations To Tabloidism
- The Knack of Knowing: 3 Journeys Of Self-Discovery
- The many faces of art
- Violence and the quest for reconciliation
-
1994 MONTREAL Canada
- Ah_ je ris de me voir si belle en ce mirror
- Arts on Television: Do You Get the Idea?
- Arts on television: inside the artist
- Arts on television: Music in pictures
- Arts on television: Nothing but words
- Arts on Television: Unbearable realities
- First you shoot - Part 1: Violence on public television
- First you shoot - Part 2: Violence on public television
- Let´s Put in this Way
- My neighbour knows me better
- New documentary - Part 1
- New documentary - Part 2
- New World Disorder - Part I: My God What a Mess!
- New World Disorder - Part II: We Have a Wonderful Time!
- Pearls 1
- Pearls 10
- Pearls 11
- Pearls 12
- Pearls 13
- Pearls 14
- Pearls 2
- Pearls 3
- Pearls 4
- Pearls 5
- Pearls 6
- Pearls 7
- Pearls 8
- Pearls 9
- Private lives
- Single Plays
- Single plays - Television drama specials
- Take a Simple Idea
- Taking on the big boys
- Youth - Part I: How is public television handling programs for adolescents?
- Youth - Part II: You want to talk sex_ we want to talk aids
-
1995 SAN SEBASTIAN Spain
- All that is left is the music
- Author_ author?
- Breaking the mold
- Breaking the silence
- Cries of pain_ shouts of anger
- Crying and laughing and grasping the past. Four ways of making us remember (Part 1)
- Crying and laughing and grasping the past. Four ways of making us remember (Part 2)
- Dramas for today
- Great things come in small packages
- In search of the lost audience
- Is this new realism? (Part 1)
- Is this the new realism? (Part 2)
- It won´t hurt (Part 2)
- It´ won´t hurt! (Part 1)
- Jurassic classics
- Opera prima
- Pearls 1
- Pearls 10
- Pearls 11
- Pearls 12
- Pearls 13
- Pearls 14
- Pearls 15
- Pearls 16
- Pearls 2
- Pearls 3
- Pearls 4
- Pearls 5
- Pearls 6
- Pearls 7
- Pearls 8
- Pearls 9
- Raining Stones_ naked arias and subway pirouettes
- Serving their purpose
- Television loves revolutionaries... dead (Part 1)
- Television loves revolutionaries... dead (Part 2)
- Transcending time with young images. All the young and girls of their age
- Unexpected ways
- Watching tomatoes in the microwave (Part 1). Television and Explosive Family Matters
- Watching tomatoes in the microwave (Part 2). Television and Explosive Family Matters
- Yes_ but it´s great TV
-
1996 GUADALAJARA Mexico
- Art on the box (Part II)
- Art on the Box - Part I. Craft meets craft in a day of programes on_ about_ around_ above_ below_ with_ why and how the TV box b
- David and Goliath: Does the loudest voice ring clearest?
- Emotional overdose: (part I) Raising one´s voice
- Emotional overdose: (part II) Shock TV or social comment
- Exoticism: temptation to romanticize
- Faces
- From realism to poetry
- He loves me_ he loves me not: making the relationship work on TV
- I' witness
- In retrospect: telling the story_ unravelling the facts
- In your mind_ in your face: behind the facade
- Invisible threads
- Is it a bird? Is it a plane? No_ it´s...
- It takes a child
- It takes an open mind to navigate in the dangerous waters of male & female taboos
- Omni-TV
- Pearls 1
- Pearls 2
- Pearls 3
- Pearls 4
- Pearls 5
- Pearls 6
- Pearls 7
- Pearls 8
- Pearls 9
- Playing with the masters
- Signatures
- So near_ so far
- The emperor´s new clothes
- The power of metaphor
- The roots of dissent
- Think positive!
- Too close to be private - Too private to be close
- Very 'moving' programmes
- You would think it´s predictable. They made it great TV
-
1997 NANTES France
- Beyond the Bars
- Catch More Flies With Honey
- Changing Places - Changing Times
- Gross Exagerations
- Hey_ I´m Talking To You!
- Hitting the Target?
- Houses of Spirits
- I Confess
- Juggling Coulds
- Just the Two of Us
- Labour of Love
- Manufactured Stories: If It Doesn´t Fit Prime Time You´re Dead - Part One
- Manufacturing Stories: If It Doesn´t Fit Prime Time You´re Dead - Part Two
- Once Upon A Time Were Documentarists
- Pearls 1
- Pearls 2 - The Final String
- Picture This: Developing the Negative_ Black on White / White on Black
- Poetry in Motion
- Road Movies of the Soul
- Speak No Evil
- Take Me Along
- The Backrooms of the System
- The New Generation
- Too Much is Too Much
- Too True To Be Good
- Turn Me On_ Turn Me Off_ I Am Your Television!
- You Must Remember This
-
1998 STUTTGART Germany
- Are You Talking to Me?
- Beyond the Obvious
- Blinded by Power
- Challenge (or just trendy?)
- Close Up For the Wide Shot
- Fiction/Non-Fiction: Taking the Game to a New Level
- It Won´t Hurt a Bit
- Just Between the Two of Us
- Look at Me: I Can Seduce You
- My Own Story
- Pearls 1
- Pearls 3
- Pearls 4
- People in despair: Is TV Exposure Good_ Bad or Irrelevant?
- Pleased to Meet You! No Time to Know You?
- Power: In Front of or Behind the Camera
- Presumption of Innocence
- Remains for Today
- Run_ Walk_ Sit Down
- Shame on Your Raitings
- The East-Side Story
- The Estate We´re In
- Tickle My Docs-The Price for Going Prime Time
- TV Spotting: Television Fiction Lost and Found
- TV-Truffles
- Videos Diaries-Who Needs Professionals?
- Youth is wasted on the Young (Oscar Wilde)
-
1999 FORT WORTH USA
- After the War
- At a Respectful Distance
- Between the Lines
- Boys and Girls
- Breaking the Silence
- Cityscapes
- Composing History- Passe Compose
- Crucial Moments: At What Cost?
- Dreams
- Dressed For Success
- Escaping the Sync Sound Prison
- Giving Voice
- How Far Can We Go?
- Into the Fish Bowl: TV Circus
- Mom and Dad
- Morality Tales
- Pearls 1
- Pearls 10
- Pearls 11
- Pearls 12
- Pearls 13
- Pearls 14
- Pearls 15
- Pearls 16
- Pearls 17
- Pearls 18
- Pearls 19
- Pearls 2
- Pearls 20
- Pearls 3
- Pearls 4
- Pearls 5
- Pearls 6
- Pearls 7
- Pearls 8
- Pearls 9
- Poetry of Life
- Political Games
- Private Sphere_ Public Sphere
- S*T*E*R*E*O*T*Y*P*E*S
- Snack TV
- The Art of Entertainment
- Try the Unexpected
- Unusual Artistic Portraits of Artists
- Will This Air On Your Station? Unconventional Use of Archive
- You Could Make It Happen
-
1990 EDMONTON Canada
-
2000-2009
-
2000 HALIFAX Canada
- Budgets
- Departure:Death and Memory
- Distance
- Eureka: An idea that lights the way
- Face/Off
- Family/Familia
- Fictionalizing Fact: What can be done with found footage
- Form
- Gimme Shelter
- Global Responsability
- Haunted
- Impact I
- Impact II
- Intimate: About Personal Integrity
- Justice on Trial
- Legacy
- Literary TV: From Picas to Pixels
- Naked: Films That Expose People on the Edge of Society
- Pamphlets
- Parts
- Pearls I
- Pearls II
- Pearls III
- Pearls IV
- Pearls V
- Pearls VI
- Pearls VII
- Roundabout
- Suitable for Children?
- Tempo: Is television fast enough?
- Testimonies_ Part 1
- Testimonies_ Part 2
- Unusual Fiction
- Up Close_ Personal & Digital
-
2001 CAPE TOWN South Africa
- Art in TV is an art
- Collisions_ culture and clash
- Digital realm
- Encore
- Fiction made for TV
- Freak Shows
- Hard Core Public TV
- Haunting History
- Heavenly hell!
- Magic ears_ magic eyes
- Mutual Feeding
- Natural soap
- Nuts about shorts
- Old genres_ new forms
- Pearl
- PEARL 3:Video language – open session
- Personal is political
- Recreating History
- Resources
- Sex and Hypocrisy
- Showing the invisible
- Slice of Life
- Staring down death
- Teacher in a Box
- The Mirror Cracked
- TV fiction
- We are family
- Yes! It’s entertainment. Yes_ it’s politics!
- Young storytellers
-
2002 ROTTERDAM Netherlands
- Basic Instincts
- Changing Landscapes
- Democracy in Stormy Weather
- Don't Act
- Female Nation
- Film Maker's Responsibility
- Friends on Friends
- Get Shorty
- God Cam
- Grateful Dead
- History Telling
- I'm in the Mood for Love (Simply Because You're a Producer)
- Let's Make History
- National Traumas
- Pearls before Swine
- Searching for the New Family
- Special Formats
- Special Screening
- Telling Hanna(h)'s Story
- The End of the Endless
- The Miracle Cure
- The Perfect 1/2 Hour
- These Strange Things
- Too Close for Comfort ?
- Unfriendly Territory
- War: Image and Reality
- When You've Never Eaten a Strawberry_ You Want to Know What It Tastes Like
- X-Raying the Country
- Youth Formats
-
2003 AARHUS Denmark
- AGENT OF CHANGE
- ARTSY FARTSY?
- BECOMING THE INVESTIGATOR: WHAT HAPPENS WHEN JOURNALISTS TURN INVESTIGATORS?
- BIG STORIES – SMALL SCREENS: GLOBALIZATION
- BRAVE NEW PROGRAMMES
- CATCHY FORMATS
- CONSTRUCTING THE TRUTH: PRAVDA... NIXON... LEGO!
- DANGER ZONE: YOUTH AT RISK
- DEEP THOUGHTS ON TV – A SLEEPER OR A THRILLING RIDE?
- EXPOSING MY FAMILY
- FAST_ CHEAP AND GOOD:FICTION ON A TIGHT BUDGET
- GET THEM TALKING
- HIGH HOPES_ SHATTERED DREAMS AND PULLING THE PIECES TOGETHER
- HOW DID YOU GET THAT FOOTAGE? REMARKABLE MOMENTS – CAUGHT ON VIDEO – NOW BUILD A STORY
- HUMOUR AS THE WEAPON!
- LET’S TRY IT WITH A SONG
- MAKING REAL LIFE STORY LINES
- NOW IT CAN BE TOLD
- PODER! POWER OF TV! – HANDING IT OVER IN THE ANDES
- PRETTY SENORITAS: WHO’S ON TOP?
- RAPPORT: UNWRITTEN CONTRACT
- RISKY BUSINESS – WAR AND PEACE
- SECRET INGREDIENTS FOR FASCINATING FICTION
- SLOW? DULL? - WHO CARES?
- SPECIAL SESSIONS
- STAND ALONE PROGRAMME
- THE HYPER SUBJECTIVE POINT OF VIEW
- TOTALLY INSIDE
- TV AS A VEHICLE FOR DIALOGUE
- TV AS THE KEY TO HIDDEN WORLDS
- WHO IS USING WHOM? – ARE WE BOTH GETTING WHAT WE WANT?
-
2004 BARCELONA Spain
- Beyond Realism
- Case Studies: Roll tape!
- Community
- Creativity on the go
- Devils in the living room
- Don't forget to remember
- Don't worry_ be happy!
- Empowered by Art
- Every picture tells the story
- Everyday people
- Falling Star
- Global Headache
- Golden Years?
- Hide & Seek
- History Lite
- Keep your distance
- Let me explain it!
- Listen to me! Gaining access to the young
- Pearls 1
- Pearls 2
- Portrait of the artist as a hero
- Reel time?
- Swiss Army Knife
- The borderline of fear
- The Write Stuff
- Trust me_ I'm a filmmaker!
- Walking the tightrope
- Who is running the show?
-
2005 SAN FRANCISCO USA
- A World of Shadows
- All You Need is Love
- Cameras Behind Bars
- Confusion with Fusion
- Directing Kids
- Documentary as Therapy
- Filling in Historical Holes
- Imperial Ballroom
- Invading the Private
- It Ain’t Over ‘til the Fat Lady Sings
- Let the Pictures Do the Talking
- Low Budget Imaginative Drama
- Mighty Challenges
- One Man Show
- Post 9/11 Worlds: The battle for hearts_ minds_ and uplinks...
- Public Sex
- Questioning the Lords
- Role of Filmmaker
- Soundtrack of Life
- Stand Alone Programs
- Stand Alone: Faction: Fiction or Fact?
- Stand Alone: Real Family Drama
- The Host...Saint or Sinner?
- The Other Side of Reality
- TV Seeking Justice
- Uprising Future and Past
- Vote for Us! TV’s Impact on Elections and Viceversa!
- Who Will Tell Your Story?
-
2006 TAIPEI Taiwan
- Access Asia
- Analyze This
- Are you Serious?
- Better a Drama
- Blackboard Jungle
- Can we change reality?
- Closed to the public- entering forbidden worlds
- Courage and persistence
- Directing politics
- Dogs in Space
- Enter with care!
- For Your Eyes Only – Families_ Home Video and Public Broadcast
- Let's Give Kids a Voice
- Living History: The Time Tunnel Experience
- Memories Uncovered
- Mindscapes
- Music is it!
- National obsession
- Reaching out to youth
- Speaking up for the cause
- Stand Alone Programs
- The sound of music? Mixing genre
- The Stranger You Know
- Too close for comfort
- Wild_ wild formats
- Without words: hearing with your eyes
-
2007 LUGANO Switzerland
- About Fiction: A Success Story
- Access
- Archiving the Truth
- Crossing Borders
- Different Cultures_ Different Dramas?
- Feed the Monster!
- Frames of Art
- Get Personal: Big voices in small worlds meet small windows on the big world
- Help Yourself
- Honest With/About the Youth
- In-Your-Face TV: Satire_ Irony_ and the Deadly Serious
- Light
- Mind the Gap
- Objective and Subjective Realities:Personalizing the Past
- Pace on Earth
- Playstation
- Presenters’ Trips
- Process or Product
- Recreating History: Where are the boundaries between fact and fiction?
- Responsibility... What?
- TV as Therapy?
- TV on Trial
- War: Behind the Lines
-
2008 JOHANNESBURG South Africa
- Alone in a box
- Art attack
- Beyond correct
- Blow the Whistle
- Caution fragile
- Deraciner le rascisme / Uprooting racism
- Don't be a couch potato
- Ethics_ morality_ guilty
- F+!# Taboos
- Female wanted
- Finally TV
- In the beginning was the word
- Languages of drama
- Let me be myself
- Media Under the Knife – Deconstructing Media in the 21st Century
- Men at work!
- North to Europe-South to Africa
- One person's freedom is another person's
- Public secrets
- The basement tapes
- The elephant in the room
- Thinking about who we are
- Trips to the end of the night
- TV Becoming the Ringmaster
- Watching the detectives
- Whassup Widdat?
- Who owns the arts?
-
2009 WARSAW Poland
- (Copy) Rights
- Avoiding the Obvious
- Disclosure
- East + West - The Dynamics of Perception
- From Stage to Street
- Healthy popcorn
- Hong Paodao
- Is this real? Does it Matter Anyway?
- Just For Fun?
- Let’s Go Local
- Memory: A fi rst Draft of History?
- Mingle_ Swap or Divorce?
- Naked - Public Striptease and beyond
- No Pix? No Problem!
- Once Upon a Time... Storytelling at Its Best
- Open your eyes. Contact your lens.
- Out in the Open
- Prime Time at Stake! Don’t leave the audience slumbering in front of the box.
- Respect
- Stand Alone Session: The Paradilho
- The red race
- This is My Point of View!
- Trust
- TV/Internet Tomorrow_ NOW
- Warning... Viewing Could be Hazardous to Your Health!
- Who is in Control?
-
2000 HALIFAX Canada
-
2010-2019
-
2010 BUDAPEST Hungary
- Actors Writing Fresh Comedy - How Do They Do It?
- Between Fiction and Non-Fiction_ Between Private and Public
- Does Anybody Care About Investigative Journalism?
- Dramas and Traumas: Shrinks_ Patients and the Audience
- Economy on TV: Did We Do Our Job?
- Entering an Obsessed Mind – New Ultra-Focused Thriller Stories
- Heading to the East
- How to Build up and Educate Future Audiences!
- How to Rate High Rating Programmes: The Value of Market Shares in a Multimedia World
- Intimacy Exposed: How far Can We Go?
- Keep It Fresh! Creativity or Technology?
- Look at It My Way – About Filmmaker's Point of View
- Make Programmes – Not Politics!
- Personalising History – The Key to Success?
- Programming TV–Events: Constraints of Schedule and Audience Expectation
- Re-Inventing Archives: Old Pictures – New Stories
- Reality TV: Working with Volunteers_ Actors and Ordinary People
- Taking a Chance With Shrinking Budgets – Ending up With New Kinds of Programmes
- Taking the Bull by the Horns – Public Broadcasters and Controversial Public Issues
- The Art of Turning Science Into Edu-tainment
- The Audience – The Unpredictable Factor!
-
2011 SEOUL South Korea
- Are We Safe From Politics? Who is Really in Control?
- At Your Public Service: Education Made Entertaining!
- Beyond Entertainment
- Changing The World: Strategies to Make a Programme More Effective!
- Did You See That? Visual Ethics in TV Productions
- Don't Know Much About History Telling Old Stories in a New Way
- Exploiting_ Manipulating and Selling Out: Ethics in TV Productions
- Home Key
- How to Make Them Laugh to Love You: The Art of Comedy
- Keeping the Drama in Mixed Genres: Dramedy_ Doc Musical and Cinematic Poem
- Laughter as a Weapon Does it work?
- Learning from Each Other – Generation Conflicts in Drama
- Manipulating Attitudes - From Hollywood Westerns to Modern Social Media
- Programming for Platforms
- Reaching Out to the Youth
- Realistic Fiction vs. Fictional Reality Storytelling on the Verge of Deception
- Recipes to Avoid Disaster - Environmental Issues on TV
- Shaping Reality: From the Real World to Reality in TV
- Something You Don’t Know About Animation
- Test Tube Programming – From Internet to Television
- The Tricked Audience: Motivation and Effects of Delusive Programmes
- Thrilling the Teens Fiction Programmes for the Young Audience
- Village Without Women - The True Story About Three Farmers Without Wives
- Violence on TV: How to Deal with the Dark Side of Mankind!
- Who Do You Think You Are? The Role of Presenters on TV
- Why Should I Bother? TV as a Playground for Personal Missions
-
2012 SYDNEY Australia
- 10 Ways to Involve your Audience and use Social Media
- Accepting New Challenges: Shorter_ Cheaper_ Better?
- Be Inspired: Adapting Successful Drama Elements for Your Audience
- Can You Trust your Broadcaster? Politics and Media
- Change your Behaviour: The Impact of Factual Entertainment Programmes
- Comedy Rules the World: How to make a Hit Comedy Series on the Internet
- Common Ground: The ‘Mother’ of all Co-Productions
- Delivering a Fist of Irony: Current Affairs and Humour
- Don’t be Afraid of Sex! It’s Part of your Culture
- Easy Ways to Deliver Environmental Issues
- Fresh Fiction: Join-In Dramas_ Soap Noirs and other Buzz Creators
- Going for the Young Ones: Recipes to Reach the Next Generation
- Is the Web the Future of Documentaries?
- Mobile Phones as Witnesses: User Generated Content in the News
- New Trends In Comedy: Laughing at/with Outsiders and Fringes
- On Your Doorstep: New Ways of Telling History
- Our Problems are Your Problems: Mass Media and Minority Issues
- The Art of Genre Blending in Arts and Culture
- The Thrill of Political TV Drama
- This is Getting Too Close: When do you Turn off the Camera?
- Too Academic_ too Sophisticated? Delivering Bulky Content
- TV and Public Opinion: Enlightenment or Reinforcing Stereotypes?
- Unconditional Love and Touch Screens
- We Can do Better! Commercial Formats and Public Service Content
-
2013 SAN SALVADOR El Salvador
- 7 Ways to Excite Your Audience & Unusual Intimate Access
- Anatomy of a Daring Documentary: Exchange of Expertise
- Bread and Butter Online Programming
- Crusading Journalism - When Is It Journalism_ When Is It Just a Crusade?
- Desperately Seeking Identity
- Entertaining Fiction Dealing with Tough Issues
- Forget the Make Up_ These Women Are on a Mission!
- Get Me the Ratings! Attracting Attention to Get an Audience
- Growing up With TV
- How to Deliver Tough Topics to Teens
- Industry Buzz: Second Screen Programming
- Man Is Lost - so God Is Back in TV Drama
- My Camera is My Weapon
- Production Matters – Blending Styles and Formats in Current Affairs TV
- Re-discovering Entertainment and Reality Formats for Youth
- The Power of Television: To Hurt or to Hold Back
- Tools to Produce Programmes for Children
- TV Don’t Preach
- What makes Comedy and Satire Concepts Work Nationally - and What Makes Them Travel?
-
2014 HELSINKI Finland
- Chasing the young demographic
- CLOSING SESSION
- Cross media: short form content
- Cross platform and participatory storytelling
- Does cross platform deliver?
- Don’t bore me with history!
- Don’t vote me out_ please!
- Drunk_ desperate and dissatisfied - Do public media mirror or shape social attitudes?
- Fantasy_ sci-fi & psychological thriller - how to produce exciting new fiction worlds?
- Get close with style
- History: It’s not spinach television_ it’s yummy
- How to tell the impossible story?
- Humour and investigation - Are they compatible?
- Hungry for feelgood TV? Check out your local takeaways
- Involve me & I will engage
- Let’s talk about sex - but how?
- Make a strong opening…and keep your promise
- Personal dramas seen in their cultural context
- Research is everything
- Scriptwriting challenges worth taking
- Small ideas + long nights = big fun!
- Stand Alones: Fresh voices in the field
-
2015 TOKYO Japan
- Acting for Real
- Artistic License in History Documentaries
- Avoiding Clichés
- Balancing Between Real Life and Drama: What Are the Pitfalls?
- Be Observational and Get Close
- Being on TV at all Cost?
- Clear Messages for Young Minds
- Connecting with Tweens
- Don’t Get Emotionally Involved! Part 1
- Don’t Get Emotionally Involved! Part 2
- Formatting the Unexpected
- Hidden Cameras: The Truth at All Costs?
- How to Entertain with Social Issues?
- In Love With Knowledge: Inventions on TV
- Interacting With Your Screen
- Morals in Journalism: Where Does a Reporter Stand in Real-Life Tragedy?
- Scientific Experimenting is FUN?
- Some for the Road… – Closing Session INPUT 2015
- Television for the Fucked_ Fucked up_ Fucking up Generation?
- Telling Different Stories Differently
- The Mission of Investigative Journalism
- To Whet Your Appetite…
- When Cross Platform Tries to Change the World
- When Reality Interferes With Reality
-
2016 CALGARY Canada
- Ahaa! or Blaa Blaa? How to turn New Ideas into Aha!-Moments for your Audience
- Closing Session: Some for the Road let's Change Perspective
- Covering the Leaders
- Dealing With History
- Delight_ Confront and Challenge your Audience
- Digital Deception. Everyone is Now a Broadcaster or Publisher
- Don't you Fucking Bore Me
- Formating Intimacy - How New Interview Shows Get Personal
- Kill Bill - (How) Can we adapt Entertainment Asian Style?
- Local is Global - Or is It?
- Love Stories in Troubling Times
- Making Without Faking
- Me_ Myself and Eye
- Observing Brutality against Women in Other Cultures
- Opening Session: Getting Started!
- Poetry in Motion
- Recipes for Creative Storytelling: Artistic Approaches and Techniques
- Stand Alone Session
- Tough Topics: Would you want Your Kids to see This?
- Trying to Make Sense of Conflict
- Watching the Watchers - Surveillance and Privacy on the Web
- Who is the Audience?
-
2017 THESSALONIKI Greece
- Audience on the Edge of a Nervous Breakdown
- Bring Your Own Content
- Closing Session: One for the Road
- Creating Positive Change in Our Communities? Yes We Can!
- Don’t Take Yourself Too Seriously – The Fun Session
- Drama as Enemy of the State How to Produce Drama Amid Threats of Lawsuits and Censorship
- Innovative Arts Programmes: Painter_ Poet_ and Papa
- Interactivity?! Drama Beyond Broadcast
- Let’s Stick Together - Making TV WITH the Public
- Making Stories Travel On the Look-Out for New Sources of Inspiration in the World Drama Arena
- Netflix Originals Produced by Public Service Broadcasters (Why) Are We Becoming Their Development Department?
- New Formats – New Insights?
- Opening Session: Getting Started!
- Playing with People: Experiments on TV
- Popping the Bubble - Building on Stereotypes and Identity
- Simple Ideas
- Targeting Parents: Digital Puberty – The Media and Modern Parenthood
- The Biographer’s Dilemma
- The Cat and the Mouse: Do You Let Your Protagonist Get Away With Murder?
- Too Perfect to Be Real?
- Us and Them
- Using Public Footage and the Shady Boundaries of Revealing the Truth
- Visions of a Young Audience
-
2018 BROOKLYN United States
- #metoo – Looking back … in Admiration. To Those Who Paved the Way
- bye bye brooklyn - Hello bangkok!
- Changing Society_ One Program at a Time
- Coproduce or Die? If public broadcasters fiction wants to survive_ is co-production the answer?
- Creating the Past
- Dedicated to the Moms of the World: Images of Motherhood
- Freshly Crafted With Traditional Tools
- Getting Started: A Pledge for Public Service Media
- History as you Have never Seen it before Innovative ways of using historic archive material to tell new stories
- How to Get the Audience to Discuss Difficult Topics A German and a Dutch approach topped off with some Polish inspiration
- Inside Stories – Public TV Points the Camera at Itself Public TV employees sharing personal stories that matter to them
- I’m a Person not a Disability The collateral damage of inclusion
- Let’s Go One Step Further! Looking closer and closer - at LGbT history_ rights and lives
- Let’s Make Our Political Programming Great Again
- Making bacteria Attractive to the Audience
- Parental Guidance Suggested The role of public broadcasters in the area of Children’s Programming
- People_ History and racial Perspectives
- Real(ity) Drama
- Telling War Stories_ Far From the Front Lines
- The Vertical Canvas: Making Programs for Phones
- Under the Influence - Youtubers for a Change
- Visual Storytelling How to sharpen the visual aspects of our stories
- Was it Good for you? Sleeping With the Enemy
- Who the Hell Is Interested In Older People? They are the most loyal viewers_ yet they are bored by themselves
-
2019 BANGKOK Thailand
- Beyond the Soundtrack - When Music Is the Main Point
- Blast From the Past: Why Now?
- Building Better Lives at
- Capturing Love: How Can We Get Close Without Ruining the Moment?
- Chasing The Young
- Confronting Hate
- Do They Know What They’re getting Into?
- Documenting the Vulnerable: Telling the Stories of Young People in Tough Situations
- Documenting Traditional Cultures and the Pull of Modernity
- Getting Behind the Headlines
- Getting to Work
- I Was There
- In Search Of... On a Trail of Investigations_ Exposés and Everyday Questions
- Is Public TV a Safe Space?
- Keeping It Real: Creating the Feeling of Authenticity
- Living in the Real World
- My World / Your World: Creative Ways to Take Viewers Into Other People’s Lives
- Oh My God My Granddad Is an Avatar! Building Digital Bridges Between Age Groups!
- Opening
- Playing With Science
- Portraying Heroes: How to Tell Stories That Resonate
- Should I Stay_ or Should I Go? The Good and the Bad Side of Social Media!
- The Power of Silence: Showing vs. Telling
- When The Worst Happens: From Whose Point of View
- Who Are You to Tell Me Who I Am?!
- Who Gets to Be Funny?
-
2010 BUDAPEST Hungary
-
2020-2029
-
2022 BARCELONA Spain
- Beyond Ticking Boxes: Television Fiction With an Immersive Approach to Diversity and Inclusion. Experience it! Storytelling from within the path from representation to identification
- Does the End Justify the Means? Evil Formats for a Good Cause! Diversity in Reality TV
- Family Matters. Challenges and pitfalls in telling stories of our family history.
- Hey Just Get Out of the Way! Under-represented people telling their own stories effectively
- How Far Should We Go? When covering a humanitarian crisis involves putting yourself and others at risk.
- Images Speak Louder Than Words: The Medium and the Message. How to choose the most effective tools in animation and other trong visual storytelling.
- Love Murder and Secrets. Unlocking the elements that inspire the audience to watch the next episode.
- Media and Politics. How do they correlate?
- No Cat Content Needed! Useful tips & tricks for audience-centred content development without neglecting PSM values.
- Pandemic Programing: Good Things That Accidentally Came out of It. Lockdown Wonders Nr. 2 - How Covid-19 taught us to act quicker change workflows and dare try new stuff out.
- Portraying Abuse. Stand Alone: How to tell a difficult story involving vulnerable collectives.
- Present With a Difference Experiences with non-conventional or non-professional presenters
- Protecting the Vulnerable: Examining Social Care Institutions. How can fiction shape debates about such public institutions?
- Public Service Media on Their Toes. Lockdown Wonders Nr. 1 - PSM’s answers to the extraordinary pandemic situation
- Relax! This Is Not a History Lesson Bringing the Past Alive Without Putting Audiences to Sleep. Finding more inventive and subversive ways to use archives and when to avoid using them
- Smash Patriarchy One Story at a Time! Fiction written by women that tackle gender-sensitive topics
- Special Session. Reporting on a War
- Talking ‘bout my Generation: Young Creators New Audiences? Fiction for and created by the young
- The Best of Two Worlds: Good Formats for a Good Cause! How can programs commit to a noble cause and be entertaining at the same time?
- The Drama and Passion of High School Teen Life Teachers and Parents. Creating must see co-watching series for students and their families.
- The Invisibles. How to visualise those who cannot give witness (anymore)
- The Naked Truth: Challenging Faction: How does the combination of documentary elements and fiction add up to a final result?
- The New Normal: Approaches to Program-making That Are Here to Stay! Or Not? Lockdown Wonders Nr. 3 - Will the pandemic change our ways for good?
- Visually Giving A Voice. Difficult subjects and untraditional protagonists
- Who Is Not Crazy for Views? Pros and Cons of being successful on social media platformsand how this affects content and storytelling.
- Wrap it in! Comedy/dramedy! How can humour tackle serious issues?
- You Want The Truth? You Can’t Handle The Truth! Uncomfortable Investigations keeping the audience’s attention when factual nitty-gritty complicates the narration
-
2023 TAIPEI Taiwan
- (Not) In My Face Push or pull? How to get your message across on social issues in fiction
- Blurred Lines Where does Factual end and Fiction start?
- Close to Home Setting Up Your Camera on Your Doorstep
- Creative Recreations Are Dramatisations a Storytelling Thriller or Filler — or even a Killer?
- Different Tools to Unlock the Past What do an aviation disaster and the invention of the corset have in common? Yes; you are right: History.
- Do You Love Me; Do You Accept Me; Or Could You at Least Vote For Me? Personal revelations from protagonists and what we have to bear in mind
- Documentary Productions Across Borders: Towards a Win-Win in co-production
- Hardcore Public Broadcasting Should PSM be a vehicle for advocating certain values and positive social change? And who determines what positive social change is?
- How Weird is Too Weird? Misfits as Comical Cure in Times of Crisis
- Ingenious indigenous! How can indigenous broadcasters contribute to the preservation and increased use of native languages that are threatened with extinction?
- Investigating Invisible Crimes How to make audiences connect with how we tell stories about crimes that usually take place behind closed doors.
- Let’s Talk About Sex — But How? Innovative Formats on Sex Education
- Move over Professor! Broadcasting the Wisdom of Crowds How to transform the audience into a smart participant
- Pushing Impartiality to its Limits Holding the line on being fair and balanced under extreme circumstances
- Re-imagining the Role of the Presenter
- Reporting on Challenges Through the Eyes of Children
- Special Session Input @ Input — A Look Around the World of TV Trends: What impulses can we take away from commercial television?
- Special Session This Is Not the World We Want To Live In How PSM advocate social impact and active citizenship
- Special Session — PTS Rising Immersive VR/XR Power: Meet Taiwanese Talents
- Storytelling to and with the Audience: How not to mess it up
- The Charismatic Protagonist
- To Cut it Short Dos and Don’ts in short form storytelling
- Unconventional Culture Introducing creative and entertaining ways to bring the arts to television
- Watch out: Young Audience! How to inform in No Time
- We Will Survive! Crises and how to deal with them on PSM
- Who Am I? Lost in Identity Is the coming-of-age drama in transition?
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2024 Charleston USA
- Decolonizing storytelling: Creating real space for re-telling the complete story
- Good company
- Guinea pigs: Storytelling in front of the camera
- Hope & Healing: Finding a light in the dark
- Hope and Healing: Finding a light in the dark
- I DOUBLE DARE YOU!
- I need a hero: Beware of creating heroic figures — you never know where they go
- INPUT in the world — the world in INPUT
- Just fun and games?
- Legacy: grasping storytelling using personal footage
- Mario Daza
- Now you see me: offering perspectives instead of changing perceptions
- OMG I can’t stop watching: Maybe we are all just nosy neighbors
- Pay attention. This is serious stuff!
- Playing with history: Finding historical sources in unlikely places
- Rules be damned! Catch new audiences by adding art to the storytelling rule book
- Sessio9 Now you see me: offering perspectives instead of changing perceptions
- Social Listening and the Vital Role of Public Media in Navigating Misinformation
- Some like it hot
- State of the Art Does the art shine through and find fresh inspiration?
- Surviving the storytelling: The risks we take when telling a multi-perspective story about tragedy
- Taking big risks: trail blazers or copy cats?
- The incomplete picture: How to tell a story with little or no access
- The tropes of travelling formats: Three showcases of programs that could cross borders. Or not?
- To do or too taboo? Sex death and mental health how do we engage viewers with the uncomfortable?
- Various positions of AI: A sceptical and flabbergasted introduction to the current use of AI in Public Service media
- We are family (or how to exploit your dearest)
- When documentary becomes part of history
- You be the judge Moving from B and W to shades of grey
- You be the judge Moving from B&W to shades of grey
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2022 BARCELONA Spain
Life accellerates, the demands on our time increase. How does the television maker focus our attention on the work and dignity of ordinary people?
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