Many documentaries are driven by the TV-maker’s desire to make a change or do something about a situation. Often the making of the program involves an intervention of the TV -aker that can have a big influence on the lives involved in the story. How aware are we of the role the appearance of a TV-team plays in real life stories, and when is it appropriate to intervene? Does the cause always justify the means? What happens in real life when the cameras are off 15 and the story is broadcasted?
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