Are broadcasters pushing the ‘www fatigue’ with the audience when they try out the latest fad in the industry - or does second screen programming give our audience an added value - and us broadcasters the chance to re-invent the term ‘live’? What is second screen programming exactly, and what do we have to think about when we produce online content for one off live events or broadcasts? Are the costs vs. value justified - and what do we earn ourselves with this investment? What are the hurdles we need to take? And do we really know what our audience wants? Let’s learn from the experiences of existing second screen productions. Screened Programmes An overview presentation of second screen productions from Canada followed by in-depth discussion about: 01. The Spiral (Belgium) 02. Disappeared - The M.P.U (Germany)
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From UPF
Four detectives – with one goal: to find the missing person! Alive and unhurt. Always fighting a ticking clock. The first German fictional TV series to play along… -
From UPF
This crossmedia series tells the story of an artists’ collective in Copenhagen and its charismatic leader Arturo, who devises a plan to steal six world-famous…