What drives us to war? To murder? The first rule of thumb in film making is to make films about what you can see; the hardest thing is to grapple with ephemeral human motivations. How do films get beneath the external drama to the deeper motivation of life? If we could understand our deepest motivations, could human beings change their behaviour? Or like animals are we motivated to perpetuate our primitive impulses beyond control? Here are four films that grapple with the issue of instinct in brilliantly different ways.
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