How does a documentary filmmaker make the crossover to drama? Two fiction films by directors who learned their craft making documentaries. How did they approach structure, style and dialogue? Did their experience with one type of art form influence the other? These and other serious issues, why drama?, for example.
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From UPF
Following on from the theatrical success of last year´s Mojo, Jez Butterworth and brother Tom make their quietly stunning television debut with a tale that… -
From UPF
“No Spring Chicken” is the story of Marilina, an unhappy woman in her late thirties, and her search for balance, self-respect, satisfaction, and why not?…