“Dallas”: Obsession or nightmare? Pick your choice! For the public broadcasting institutions, the syndrome seems to be more obvious than ever. How can they manage torn between mandates, public financing and pressures for wider audiences? Is public TV bound to be dull? Are larger audiences the top priority? What price are we ready to pay? Some programme makers want to fight the commercial networks on their own ground; others insist that being different will resolve everything. Where do you stand? A previous ABC broadcast is the basis of A CLASS DIVIDED, a Frontline crew revisits, the participants many years after their vivid experience with discrimination. MAX HEADROOM illustrates a commercial network’s ambitions: flair and audiences. Do you think FATHER AND SON could be broadcast on commercial networks? How did you feel the last time your show was scheduled opposite “D”?
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