The intimacy of private life and mass communication through television – these two worlds seem to contradict and interfere with each other. However, the camera loves to enter closed rooms and secret worlds, concentrating and focu ssing on faces, gestures and emotions. The 27 more intimate and pure, the better. And the TV audience loves to follow the camera into private lives: be it real interest in other people or plain voyeurism! But why do people allow the camera to come so close, revealing their shortcomings and defects? Where are the limits to stepping into someone else’s life or to exposing one’s own?
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From UPF
Described as astonishingly intimate, emotionally overwhelming and sometimes shocking, THE MOTHERS’ HOUSE is a record of four years in the life of Miché, a… -
From UPF
Described as astonishingly intimate, emotionally overwhelming and sometimes shocking, THE MOTHERS’ HOUSE is a record of four years in the life of Miché, a…