The camera steals very distant moments of their lives, fighting against different realities…or maybe similar? How conscious was the filmmaker in the past about what these images would mean years later? How can she/he predict who will carry the story, without looking into the future with a crystal ball? How does she/he choose the best moments?: By chance? By planning? Or only after the tragedy unfolded? In any case, it allows us to really see the other side of the story.
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ARNA MER (1929-1995) led in the last years of her life a small theatregroup of Palestinian children on the West Bank. Her son Juliano, who directed the group, used all…
Arna's Children
From UPF
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They have lived together all their lives: Hugo and his younger sister Rosa. They have led a simple life in a traditional small Swedish cottage where life actually never…
Hugo and Rosa
From UPF
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IN 1995, A DOCUMENTARY FILM ENTITLED EXPERIMENTUM CRUCIS WAS SHOT ABOUT THE LIFE OF YOUNG CONVICTS IN A JUNIOR PENITENTIARY. IN 2003, THE DIRECTOR CAME UP WITH THE…
The trial: Experimentum Crucis-2
From UPF
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