Craft and the concept of ‘home’ informs these unique programs with everything from stop motion animation to observational vérité. Each filmmaker has a found fresh way of using traditional techniques to make their storytelling powerful. Some charming, others political, and all with layers and challenges. Together we will discuss how culture can inform the style and the story. What can we learn from the rich and complex tradition of subversive storytelling from formally socialist countries? Or a yugoslavian fable or Iranian mythology? From the inside of an Israeli prison? We will also discuss how stations and independent filmmakers develop and create international public television co-productions. What is the process? Additionally, how do independent film- makers, artists, creators, and stop motion animators find funding to develop their craft and make a living? How can public broadcasters help nurture and sustain these artists? And importantly, will these programs endure and be enjoyed for years to come? A close look at storytelling craft that celebrates creativity and collaboration.
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This story focuses on Jayantha, who lives in Colombo, a city in Sri Lanka with a population of 5.6 million. His neighborhood was grabbed by the government for urban…
A House Is not a Home
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In a lush and lively forest lives a hedgehog. He is at once admired, respected and envied by the other animals. However, Hedgehog’s unwavering devotion to his home…
Hedgehog’s Home
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Stories from the Silk Road is part of an animated series that takes inspiration from historic illustrations. The creative team from Tehran, Iran seeks to embrace and…
One Thousand Myths
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Palace for the People tells the stories of the most emblematic four buildings of socialist times - highly representative for the epoch and witnessing the historical…
Palace for the People
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