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From UPF
The film describes tha fates of German, Czech and Austrian emigrant in the years between 1938 and 1942, that is, between the Austrian Anschluss and the time when the… -
From UPF
Freddy Wolff luckily has at last reached America . With a quaker document in hi pocket, he arrives in New York on one of the rickety refugee boats. Through their common… -
From UPF
This film shows an aspectof World War II that has never been explored on the screen before: the story of Austrian and German Jewish refugees who hav emigrated to America… -
From UPF
When I was happy and uninformed:For writer G.G. Marques ' the most glorious year in the world' was 1957 and one of the mot important political events the…
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INPUT
- 1970-1979
-
1980-1989
- 1980 WASHINGTON USA
- 1981 VENICE Italy
- 1982 TORONTO Canada
- 1983 LIEGE Belgium
-
1984 CHARLESTON USA
- A long way from home
- All in the family
- Arts Showcase 1
- Arts Showcase 2
- Arts Showcase 3
- Clandestine
- Electronic (in)decency
- Facing up to fear
- Fiction from three worlds
- Friends in an alien landscape
- Human rights
- In and out of work
- Is there life after TV?
- On becoming free
- On-demand INPUT 1984
- Portraits of survival
- See you tomorrow?
- Stories from Africa
- The play’s the thing (Part 1)
- The play’s the thing (Part 2)
- The play’s the thing (Part 3)
- Told_ untold_ retold
- TV art on art
- Under the skin
- We don’t need no education
- Where are the Russians?
- Who cares?
- With god on our side
-
1985 MARSEILLE France
- After the bomb (The age of anxiety)
- Angry men (The battle of the sexes)
- Angry women (The battle of the sexes)
- Art revealing art (Art and artists)
- Confrontations (Story telling)
- Everyday_ everywhere: stress (The age of anxiety)
- Explorations: amusing lessons (Story telling)
- Extending the boundaries of consciousness (TV as a catalyst for change)
- Implications of video revolution
- In the tide of history (Television and the past)
- Law and disorder
- Leaving home (Story telling)
- Let the people talk (Truth is selective)
- On-demand INPUT 1985
- Performance (Art and artists)
- Perspectives on a theme: World War II (Television and the past)
- Portraying Personal Troubles
- Recession and recovery (The age of anxiety)
- Reds (Television and the past)
- Television and politics (session 1)
- Television and politics (Session 2)
- The artist in exile (Art and artists)
- The fear of tomorrow (The age of anxiety)
- The individual vs. The state (Story telling)
- The language of images (Art and artists)
- TV and Taboos—Is TV voyeuristic (1)
- TV and Taboos—Is TV voyeuristic (2)
- World War II: the sequel (Television and the past)
-
1986 MONTREAL Canada
- A lot for less? Part I – Documentaries
- A lot for less? Part II - Dramas
- A video anthology
- A world under the electronic spell
- Authored documents
- Beating Dallas
- Big pictures on small screen
- Big puzzle on small screen
- Broadcasted ethics: whose side are you on?
- Camera’s steady gaze
- Crossing the divide
- Dangerous classics
- Docudrama and dramadoc
- Elements of style
- Emotional landscapes
- Fiction or reality?
- Intimates scenes
- Music – something else
- Myth and reality
- On - demand INPUT 1986
- Personal stories / political issues
- Scanning our times: here and there!
- Shocking the viewer. How far?
- Surviving a system
- Television and the state
- The present screens the past
- Thou shalt watch!
- TV’s outsiders: personal visions
-
1987 GRANADA Spain
- A cry from the heart
- Beyond emotions
- Big ideas for a little screen
- Committed or not
- Committing video suicide
- Didn´t you read the script?
- Drama or documentary on South Africa?
- Emotional memories
- Finding creativity
- Finding Identities
- How much is too much
- I could have danced all night
- Images for the horrors of extermination
- In the midst of life-we are in death
- Investigative Journalism
- J'accuse
- Knocking down the walls
- Looking back in anger
- Mind your own illness
- Music video and visual music
- New trends in tv drama
- News as a show
- Old programmes_ new formats
- On - demand INPUT 1987
- Ordinary People
- Personal Worlds
- Sugar and spice: beyond the cliches
- The missionary position
- TV on filmmakers
- What am I like
- When power corrupts
-
1988 PHILADELPHIA USA
- A sense of place
- Are we going too far?
- Artists: Who are they and how do they do it?
- As time goes by… or_ time: on our side?
- Capturing Youth
- Classics: violating the text
- Dramatizing artists and ideas
- Filling the screen: big TV on small budgets
- First there was the word…
- From one medium to another
- I am my own camera
- If you can use your tools you can use mine
- Impossible investigations
- Investigating disparities
- It’s not the method –it’s the message
- Let’s have fun with suicide and sickness
- Life is the same everywhere? Drama as well?
- Looking at history –murder_ prejudice and every day life
- Looking at history: their own stories
- Me and the shadow
- New dance and performance for camera
- Not for Dr. Strangelovers only
- On demand INPUT 1988
- People vs. the powers that be
- Personal visions
- Persuasion: a morning at the fights
- Politics and religion
- Portraits: Are they true pictures?
- The villain and the victims
- Those kids!
- TV looks at itself
- Using all the means
- Whose story is it_ anyway?
-
1989 STOCKHOLM Sweden
- Approaching disability
- Arts and TV
- Arts and TV – session 1
- Challenging complacency
- Contemporary arts on TV
- Crime does pay
- Defending the truth
- Digging up the past
- Drama and social issues
- Drama: how to tell a story with style
- Drama: the loss of innocence
- First person TV
- Fooling the audience
- Info on sessions not yet introduced for this conference
- Is it fun to tell the truth? Or can serious stories be told in a humorous way? Session 2
- Is it fun to tell the truth? Or can serious stories be told in a humorous way? Session1
- Keeping dignity: from fiction to reality
- On Demand INPUT 1989
- PEARL 1:Open session on drama
- PEARL 2: watching television
- PEARL 3: Video language
- Phantasmagoric productions – session 2
- Phantasmagoric productions –session 1
- Question of identity
- Real time / Television time
- South Africa / From inside – outside
- The sound of reality
- TV looks at itself
- Youth in 1st_ 2nd and 3rd world
- “Orphans”
-
1990-1999
-
1990 EDMONTON Canada
- Back to the theatre
- Beyond the genres
- Cultures_ crossing_ clashes
- Death on the screen
- Dramatic forms: drawing from the old and the new
- Filming ourselves_ opening our souls
- History Stories
- History through his witnesses
- Instant reaction—distant reflection
- Journalism: getting too close to the source?
- Making a life/Making art
- New style for the old ceremony
- Obsession with violence
- On-demand INPUT 1990
- Parables
- Pearls INPUT 1990
- Powers of speech
- Producer courage—David vs. Goliath
- Producer courage—smashing the conventions
- Reality as drama—stronger than the real thing?
- Right under our noses
- Silent voices/intimate views
- Taking the time to see
- The filmmaker and Democracy
- The music within
- The Soap is in danger
- This is not a joke
- Who is speaking?
- Young and Fast
-
1991 DUBLIN Ireland
- Close-ups
- Cover up
- Crying or laughing with reality
- Death of feeling
- Drama unchained: sex_ slime and electrocution
- God on TV
- Let’s boogie
- Low budgets
- New voices form the South
- North / South: looking at ourselves – session 11.
- North / South: North looks south. North looks North. Session 1
- One land_ two ways of trating the hot stuff
- Pearls INPUT 1991
- Points of view: independents in the United States
- Pump up the style
- Quintessential TV
- Reconstruction 11
- Reconstruction 1: documentary history – truth and illusion
- Sounds of silence
- Strong individuals – moving stories
- The East – views from outside_ views from inside
- The role of commentary
- TV wars
- Wars: Setting the Record Straight
- Welcome to the ghetto - arts unlimited session 1
- Welcome to the ghetto – arts unlimited session 11
- What’s courage?
- Whose truth?
-
1992 BALTIMORE USA
- An oblique look 1
- An oblique look 2
- An unknown Europe
- Battle fatigue
- Breaking taboos (or how to put a condom in your carrot)
- Bringing back buried memories
- Challenging the conventions
- Investigation 1: Foot in the door
- Investigation 2: trial by TV
- Leftlovers
- Let’s listen
- Mixed feeling – Mixed Culture
- On-demand INPUT 1992
- Once upon a time
- Pearls INPUT 1992
- So simple_ but it works
- To whom have we given a voice?
- TV confessions
- Where to draw the line?
-
1993 BRISTOL UK
- Do The Right Thing
- Face The Past
- Give It To Me Straight
- Home Movie_ World Movie Part 1: The Universal I
- Home Movie_ World Movie Part 2: Do It Yourself
- How Do You Feel? Voyeurism Or Moral Message?
- I know I´m Right!
- Images of happiness
- Laugh Me Tender
- Lethal People
- Pearls 1
- Pearls 10
- Pearls 11
- Pearls 12
- Pearls 13
- Pearls 14
- Pearls 15
- Pearls 2
- Pearls 3
- Pearls 4
- Pearls 5
- Pearls 6
- Pearls 7
- Pearls 8
- Pearls 9
- Roots
- Short Stories
- Storytelling And Philosophy
- Temptations To Tabloidism
- The Knack of Knowing: 3 Journeys Of Self-Discovery
- The many faces of art
- Violence and the quest for reconciliation
-
1994 MONTREAL Canada
- Ah_ je ris de me voir si belle en ce mirror
- Arts on Television: Do You Get the Idea?
- Arts on television: inside the artist
- Arts on television: Music in pictures
- Arts on television: Nothing but words
- Arts on Television: Unbearable realities
- First you shoot - Part 1: Violence on public television
- First you shoot - Part 2: Violence on public television
- Let´s Put in this Way
- My neighbour knows me better
- New documentary - Part 1
- New documentary - Part 2
- New World Disorder - Part I: My God What a Mess!
- New World Disorder - Part II: We Have a Wonderful Time!
- Pearls 1
- Pearls 10
- Pearls 11
- Pearls 12
- Pearls 13
- Pearls 14
- Pearls 2
- Pearls 3
- Pearls 4
- Pearls 5
- Pearls 6
- Pearls 7
- Pearls 8
- Pearls 9
- Private lives
- Single Plays
- Single plays - Television drama specials
- Take a Simple Idea
- Taking on the big boys
- Youth - Part I: How is public television handling programs for adolescents?
- Youth - Part II: You want to talk sex_ we want to talk aids
-
1995 SAN SEBASTIAN Spain
- All that is left is the music
- Author_ author?
- Breaking the mold
- Breaking the silence
- Cries of pain_ shouts of anger
- Crying and laughing and grasping the past. Four ways of making us remember (Part 1)
- Crying and laughing and grasping the past. Four ways of making us remember (Part 2)
- Dramas for today
- Great things come in small packages
- In search of the lost audience
- Is this new realism? (Part 1)
- Is this the new realism? (Part 2)
- It won´t hurt (Part 2)
- It´ won´t hurt! (Part 1)
- Jurassic classics
- Opera prima
- Pearls 1
- Pearls 10
- Pearls 11
- Pearls 12
- Pearls 13
- Pearls 14
- Pearls 15
- Pearls 16
- Pearls 2
- Pearls 3
- Pearls 4
- Pearls 5
- Pearls 6
- Pearls 7
- Pearls 8
- Pearls 9
- Raining Stones_ naked arias and subway pirouettes
- Serving their purpose
- Television loves revolutionaries... dead (Part 1)
- Television loves revolutionaries... dead (Part 2)
- Transcending time with young images. All the young and girls of their age
- Unexpected ways
- Watching tomatoes in the microwave (Part 1). Television and Explosive Family Matters
- Watching tomatoes in the microwave (Part 2). Television and Explosive Family Matters
- Yes_ but it´s great TV
-
1996 GUADALAJARA Mexico
- Art on the box (Part II)
- Art on the Box - Part I. Craft meets craft in a day of programes on_ about_ around_ above_ below_ with_ why and how the TV box b
- David and Goliath: Does the loudest voice ring clearest?
- Emotional overdose: (part I) Raising one´s voice
- Emotional overdose: (part II) Shock TV or social comment
- Exoticism: temptation to romanticize
- Faces
- From realism to poetry
- He loves me_ he loves me not: making the relationship work on TV
- I' witness
- In retrospect: telling the story_ unravelling the facts
- In your mind_ in your face: behind the facade
- Invisible threads
- Is it a bird? Is it a plane? No_ it´s...
- It takes a child
- It takes an open mind to navigate in the dangerous waters of male & female taboos
- Omni-TV
- Pearls 1
- Pearls 2
- Pearls 3
- Pearls 4
- Pearls 5
- Pearls 6
- Pearls 7
- Pearls 8
- Pearls 9
- Playing with the masters
- Signatures
- So near_ so far
- The emperor´s new clothes
- The power of metaphor
- The roots of dissent
- Think positive!
- Too close to be private - Too private to be close
- Very 'moving' programmes
- You would think it´s predictable. They made it great TV
-
1997 NANTES France
- Beyond the Bars
- Catch More Flies With Honey
- Changing Places - Changing Times
- Gross Exagerations
- Hey_ I´m Talking To You!
- Hitting the Target?
- Houses of Spirits
- I Confess
- Juggling Coulds
- Just the Two of Us
- Labour of Love
- Manufactured Stories: If It Doesn´t Fit Prime Time You´re Dead - Part One
- Manufacturing Stories: If It Doesn´t Fit Prime Time You´re Dead - Part Two
- Once Upon A Time Were Documentarists
- Pearls 1
- Pearls 2 - The Final String
- Picture This: Developing the Negative_ Black on White / White on Black
- Poetry in Motion
- Road Movies of the Soul
- Speak No Evil
- Take Me Along
- The Backrooms of the System
- The New Generation
- Too Much is Too Much
- Too True To Be Good
- Turn Me On_ Turn Me Off_ I Am Your Television!
- You Must Remember This
-
1998 STUTTGART Germany
- Are You Talking to Me?
- Beyond the Obvious
- Blinded by Power
- Challenge (or just trendy?)
- Close Up For the Wide Shot
- Fiction/Non-Fiction: Taking the Game to a New Level
- It Won´t Hurt a Bit
- Just Between the Two of Us
- Look at Me: I Can Seduce You
- My Own Story
- Pearls 1
- Pearls 3
- Pearls 4
- People in despair: Is TV Exposure Good_ Bad or Irrelevant?
- Pleased to Meet You! No Time to Know You?
- Power: In Front of or Behind the Camera
- Presumption of Innocence
- Remains for Today
- Run_ Walk_ Sit Down
- Shame on Your Raitings
- The East-Side Story
- The Estate We´re In
- Tickle My Docs-The Price for Going Prime Time
- TV Spotting: Television Fiction Lost and Found
- TV-Truffles
- Videos Diaries-Who Needs Professionals?
- Youth is wasted on the Young (Oscar Wilde)
-
1999 FORT WORTH USA
- After the War
- At a Respectful Distance
- Between the Lines
- Boys and Girls
- Breaking the Silence
- Cityscapes
- Composing History- Passe Compose
- Crucial Moments: At What Cost?
- Dreams
- Dressed For Success
- Escaping the Sync Sound Prison
- Giving Voice
- How Far Can We Go?
- Into the Fish Bowl: TV Circus
- Mom and Dad
- Morality Tales
- Pearls 1
- Pearls 10
- Pearls 11
- Pearls 12
- Pearls 13
- Pearls 14
- Pearls 15
- Pearls 16
- Pearls 17
- Pearls 18
- Pearls 19
- Pearls 2
- Pearls 20
- Pearls 3
- Pearls 4
- Pearls 5
- Pearls 6
- Pearls 7
- Pearls 8
- Pearls 9
- Poetry of Life
- Political Games
- Private Sphere_ Public Sphere
- S*T*E*R*E*O*T*Y*P*E*S
- Snack TV
- The Art of Entertainment
- Try the Unexpected
- Unusual Artistic Portraits of Artists
- Will This Air On Your Station? Unconventional Use of Archive
- You Could Make It Happen
-
1990 EDMONTON Canada
-
2000-2009
-
2000 HALIFAX Canada
- Budgets
- Departure:Death and Memory
- Distance
- Eureka: An idea that lights the way
- Face/Off
- Family/Familia
- Fictionalizing Fact: What can be done with found footage
- Form
- Gimme Shelter
- Global Responsability
- Haunted
- Impact I
- Impact II
- Intimate: About Personal Integrity
- Justice on Trial
- Legacy
- Literary TV: From Picas to Pixels
- Naked: Films That Expose People on the Edge of Society
- Pamphlets
- Parts
- Pearls I
- Pearls II
- Pearls III
- Pearls IV
- Pearls V
- Pearls VI
- Pearls VII
- Roundabout
- Suitable for Children?
- Tempo: Is television fast enough?
- Testimonies_ Part 1
- Testimonies_ Part 2
- Unusual Fiction
- Up Close_ Personal & Digital
-
2001 CAPE TOWN South Africa
- Art in TV is an art
- Collisions_ culture and clash
- Digital realm
- Encore
- Fiction made for TV
- Freak Shows
- Hard Core Public TV
- Haunting History
- Heavenly hell!
- Magic ears_ magic eyes
- Mutual Feeding
- Natural soap
- Nuts about shorts
- Old genres_ new forms
- Pearl
- PEARL 3:Video language – open session
- Personal is political
- Recreating History
- Resources
- Sex and Hypocrisy
- Showing the invisible
- Slice of Life
- Staring down death
- Teacher in a Box
- The Mirror Cracked
- TV fiction
- We are family
- Yes! It’s entertainment. Yes_ it’s politics!
- Young storytellers
-
2002 ROTTERDAM Netherlands
- Basic Instincts
- Changing Landscapes
- Democracy in Stormy Weather
- Don't Act
- Female Nation
- Film Maker's Responsibility
- Friends on Friends
- Get Shorty
- God Cam
- Grateful Dead
- History Telling
- I'm in the Mood for Love (Simply Because You're a Producer)
- Let's Make History
- National Traumas
- Pearls before Swine
- Searching for the New Family
- Special Formats
- Special Screening
- Telling Hanna(h)'s Story
- The End of the Endless
- The Miracle Cure
- The Perfect 1/2 Hour
- These Strange Things
- Too Close for Comfort ?
- Unfriendly Territory
- War: Image and Reality
- When You've Never Eaten a Strawberry_ You Want to Know What It Tastes Like
- X-Raying the Country
- Youth Formats
-
2003 AARHUS Denmark
- AGENT OF CHANGE
- ARTSY FARTSY?
- BECOMING THE INVESTIGATOR: WHAT HAPPENS WHEN JOURNALISTS TURN INVESTIGATORS?
- BIG STORIES – SMALL SCREENS: GLOBALIZATION
- BRAVE NEW PROGRAMMES
- CATCHY FORMATS
- CONSTRUCTING THE TRUTH: PRAVDA... NIXON... LEGO!
- DANGER ZONE: YOUTH AT RISK
- DEEP THOUGHTS ON TV – A SLEEPER OR A THRILLING RIDE?
- EXPOSING MY FAMILY
- FAST_ CHEAP AND GOOD:FICTION ON A TIGHT BUDGET
- GET THEM TALKING
- HIGH HOPES_ SHATTERED DREAMS AND PULLING THE PIECES TOGETHER
- HOW DID YOU GET THAT FOOTAGE? REMARKABLE MOMENTS – CAUGHT ON VIDEO – NOW BUILD A STORY
- HUMOUR AS THE WEAPON!
- LET’S TRY IT WITH A SONG
- MAKING REAL LIFE STORY LINES
- NOW IT CAN BE TOLD
- PODER! POWER OF TV! – HANDING IT OVER IN THE ANDES
- PRETTY SENORITAS: WHO’S ON TOP?
- RAPPORT: UNWRITTEN CONTRACT
- RISKY BUSINESS – WAR AND PEACE
- SECRET INGREDIENTS FOR FASCINATING FICTION
- SLOW? DULL? - WHO CARES?
- SPECIAL SESSIONS
- STAND ALONE PROGRAMME
- THE HYPER SUBJECTIVE POINT OF VIEW
- TOTALLY INSIDE
- TV AS A VEHICLE FOR DIALOGUE
- TV AS THE KEY TO HIDDEN WORLDS
- WHO IS USING WHOM? – ARE WE BOTH GETTING WHAT WE WANT?
-
2004 BARCELONA Spain
- Beyond Realism
- Case Studies: Roll tape!
- Community
- Creativity on the go
- Devils in the living room
- Don't forget to remember
- Don't worry_ be happy!
- Empowered by Art
- Every picture tells the story
- Everyday people
- Falling Star
- Global Headache
- Golden Years?
- Hide & Seek
- History Lite
- Keep your distance
- Let me explain it!
- Listen to me! Gaining access to the young
- Pearls 1
- Pearls 2
- Portrait of the artist as a hero
- Reel time?
- Swiss Army Knife
- The borderline of fear
- The Write Stuff
- Trust me_ I'm a filmmaker!
- Walking the tightrope
- Who is running the show?
-
2005 SAN FRANCISCO USA
- A World of Shadows
- All You Need is Love
- Cameras Behind Bars
- Confusion with Fusion
- Directing Kids
- Documentary as Therapy
- Filling in Historical Holes
- Imperial Ballroom
- Invading the Private
- It Ain’t Over ‘til the Fat Lady Sings
- Let the Pictures Do the Talking
- Low Budget Imaginative Drama
- Mighty Challenges
- One Man Show
- Post 9/11 Worlds: The battle for hearts_ minds_ and uplinks...
- Public Sex
- Questioning the Lords
- Role of Filmmaker
- Soundtrack of Life
- Stand Alone Programs
- Stand Alone: Faction: Fiction or Fact?
- Stand Alone: Real Family Drama
- The Host...Saint or Sinner?
- The Other Side of Reality
- TV Seeking Justice
- Uprising Future and Past
- Vote for Us! TV’s Impact on Elections and Viceversa!
- Who Will Tell Your Story?
-
2006 TAIPEI Taiwan
- Access Asia
- Analyze This
- Are you Serious?
- Better a Drama
- Blackboard Jungle
- Can we change reality?
- Closed to the public- entering forbidden worlds
- Courage and persistence
- Directing politics
- Dogs in Space
- Enter with care!
- For Your Eyes Only – Families_ Home Video and Public Broadcast
- Let's Give Kids a Voice
- Living History: The Time Tunnel Experience
- Memories Uncovered
- Mindscapes
- Music is it!
- National obsession
- Reaching out to youth
- Speaking up for the cause
- Stand Alone Programs
- The sound of music? Mixing genre
- The Stranger You Know
- Too close for comfort
- Wild_ wild formats
- Without words: hearing with your eyes
-
2007 LUGANO Switzerland
- About Fiction: A Success Story
- Access
- Archiving the Truth
- Crossing Borders
- Different Cultures_ Different Dramas?
- Feed the Monster!
- Frames of Art
- Get Personal: Big voices in small worlds meet small windows on the big world
- Help Yourself
- Honest With/About the Youth
- In-Your-Face TV: Satire_ Irony_ and the Deadly Serious
- Light
- Mind the Gap
- Objective and Subjective Realities:Personalizing the Past
- Pace on Earth
- Playstation
- Presenters’ Trips
- Process or Product
- Recreating History: Where are the boundaries between fact and fiction?
- Responsibility... What?
- TV as Therapy?
- TV on Trial
- War: Behind the Lines
-
2008 JOHANNESBURG South Africa
- Alone in a box
- Art attack
- Beyond correct
- Blow the Whistle
- Caution fragile
- Deraciner le rascisme / Uprooting racism
- Don't be a couch potato
- Ethics_ morality_ guilty
- F+!# Taboos
- Female wanted
- Finally TV
- In the beginning was the word
- Languages of drama
- Let me be myself
- Media Under the Knife – Deconstructing Media in the 21st Century
- Men at work!
- North to Europe-South to Africa
- One person's freedom is another person's
- Public secrets
- The basement tapes
- The elephant in the room
- Thinking about who we are
- Trips to the end of the night
- TV Becoming the Ringmaster
- Watching the detectives
- Whassup Widdat?
- Who owns the arts?
-
2009 WARSAW Poland
- (Copy) Rights
- Avoiding the Obvious
- Disclosure
- East + West - The Dynamics of Perception
- From Stage to Street
- Healthy popcorn
- Hong Paodao
- Is this real? Does it Matter Anyway?
- Just For Fun?
- Let’s Go Local
- Memory: A fi rst Draft of History?
- Mingle_ Swap or Divorce?
- Naked - Public Striptease and beyond
- No Pix? No Problem!
- Once Upon a Time... Storytelling at Its Best
- Open your eyes. Contact your lens.
- Out in the Open
- Prime Time at Stake! Don’t leave the audience slumbering in front of the box.
- Respect
- Stand Alone Session: The Paradilho
- The red race
- This is My Point of View!
- Trust
- TV/Internet Tomorrow_ NOW
- Warning... Viewing Could be Hazardous to Your Health!
- Who is in Control?
-
2000 HALIFAX Canada
-
2010-2019
-
2010 BUDAPEST Hungary
- Actors Writing Fresh Comedy - How Do They Do It?
- Between Fiction and Non-Fiction_ Between Private and Public
- Does Anybody Care About Investigative Journalism?
- Dramas and Traumas: Shrinks_ Patients and the Audience
- Economy on TV: Did We Do Our Job?
- Entering an Obsessed Mind – New Ultra-Focused Thriller Stories
- Heading to the East
- How to Build up and Educate Future Audiences!
- How to Rate High Rating Programmes: The Value of Market Shares in a Multimedia World
- Intimacy Exposed: How far Can We Go?
- Keep It Fresh! Creativity or Technology?
- Look at It My Way – About Filmmaker's Point of View
- Make Programmes – Not Politics!
- Personalising History – The Key to Success?
- Programming TV–Events: Constraints of Schedule and Audience Expectation
- Re-Inventing Archives: Old Pictures – New Stories
- Reality TV: Working with Volunteers_ Actors and Ordinary People
- Taking a Chance With Shrinking Budgets – Ending up With New Kinds of Programmes
- Taking the Bull by the Horns – Public Broadcasters and Controversial Public Issues
- The Art of Turning Science Into Edu-tainment
- The Audience – The Unpredictable Factor!
-
2011 SEOUL South Korea
- Are We Safe From Politics? Who is Really in Control?
- At Your Public Service: Education Made Entertaining!
- Beyond Entertainment
- Changing The World: Strategies to Make a Programme More Effective!
- Did You See That? Visual Ethics in TV Productions
- Don't Know Much About History Telling Old Stories in a New Way
- Exploiting_ Manipulating and Selling Out: Ethics in TV Productions
- Home Key
- How to Make Them Laugh to Love You: The Art of Comedy
- Keeping the Drama in Mixed Genres: Dramedy_ Doc Musical and Cinematic Poem
- Laughter as a Weapon Does it work?
- Learning from Each Other – Generation Conflicts in Drama
- Manipulating Attitudes - From Hollywood Westerns to Modern Social Media
- Programming for Platforms
- Reaching Out to the Youth
- Realistic Fiction vs. Fictional Reality Storytelling on the Verge of Deception
- Recipes to Avoid Disaster - Environmental Issues on TV
- Shaping Reality: From the Real World to Reality in TV
- Something You Don’t Know About Animation
- Test Tube Programming – From Internet to Television
- The Tricked Audience: Motivation and Effects of Delusive Programmes
- Thrilling the Teens Fiction Programmes for the Young Audience
- Village Without Women - The True Story About Three Farmers Without Wives
- Violence on TV: How to Deal with the Dark Side of Mankind!
- Who Do You Think You Are? The Role of Presenters on TV
- Why Should I Bother? TV as a Playground for Personal Missions
-
2012 SYDNEY Australia
- 10 Ways to Involve your Audience and use Social Media
- Accepting New Challenges: Shorter_ Cheaper_ Better?
- Be Inspired: Adapting Successful Drama Elements for Your Audience
- Can You Trust your Broadcaster? Politics and Media
- Change your Behaviour: The Impact of Factual Entertainment Programmes
- Comedy Rules the World: How to make a Hit Comedy Series on the Internet
- Common Ground: The ‘Mother’ of all Co-Productions
- Delivering a Fist of Irony: Current Affairs and Humour
- Don’t be Afraid of Sex! It’s Part of your Culture
- Easy Ways to Deliver Environmental Issues
- Fresh Fiction: Join-In Dramas_ Soap Noirs and other Buzz Creators
- Going for the Young Ones: Recipes to Reach the Next Generation
- Is the Web the Future of Documentaries?
- Mobile Phones as Witnesses: User Generated Content in the News
- New Trends In Comedy: Laughing at/with Outsiders and Fringes
- On Your Doorstep: New Ways of Telling History
- Our Problems are Your Problems: Mass Media and Minority Issues
- The Art of Genre Blending in Arts and Culture
- The Thrill of Political TV Drama
- This is Getting Too Close: When do you Turn off the Camera?
- Too Academic_ too Sophisticated? Delivering Bulky Content
- TV and Public Opinion: Enlightenment or Reinforcing Stereotypes?
- Unconditional Love and Touch Screens
- We Can do Better! Commercial Formats and Public Service Content
-
2013 SAN SALVADOR El Salvador
- 7 Ways to Excite Your Audience & Unusual Intimate Access
- Anatomy of a Daring Documentary: Exchange of Expertise
- Bread and Butter Online Programming
- Crusading Journalism - When Is It Journalism_ When Is It Just a Crusade?
- Desperately Seeking Identity
- Entertaining Fiction Dealing with Tough Issues
- Forget the Make Up_ These Women Are on a Mission!
- Get Me the Ratings! Attracting Attention to Get an Audience
- Growing up With TV
- How to Deliver Tough Topics to Teens
- Industry Buzz: Second Screen Programming
- Man Is Lost - so God Is Back in TV Drama
- My Camera is My Weapon
- Production Matters – Blending Styles and Formats in Current Affairs TV
- Re-discovering Entertainment and Reality Formats for Youth
- The Power of Television: To Hurt or to Hold Back
- Tools to Produce Programmes for Children
- TV Don’t Preach
- What makes Comedy and Satire Concepts Work Nationally - and What Makes Them Travel?
-
2014 HELSINKI Finland
- Chasing the young demographic
- CLOSING SESSION
- Cross media: short form content
- Cross platform and participatory storytelling
- Does cross platform deliver?
- Don’t bore me with history!
- Don’t vote me out_ please!
- Drunk_ desperate and dissatisfied - Do public media mirror or shape social attitudes?
- Fantasy_ sci-fi & psychological thriller - how to produce exciting new fiction worlds?
- Get close with style
- History: It’s not spinach television_ it’s yummy
- How to tell the impossible story?
- Humour and investigation - Are they compatible?
- Hungry for feelgood TV? Check out your local takeaways
- Involve me & I will engage
- Let’s talk about sex - but how?
- Make a strong opening…and keep your promise
- Personal dramas seen in their cultural context
- Research is everything
- Scriptwriting challenges worth taking
- Small ideas + long nights = big fun!
- Stand Alones: Fresh voices in the field
-
2015 TOKYO Japan
- Acting for Real
- Artistic License in History Documentaries
- Avoiding Clichés
- Balancing Between Real Life and Drama: What Are the Pitfalls?
- Be Observational and Get Close
- Being on TV at all Cost?
- Clear Messages for Young Minds
- Connecting with Tweens
- Don’t Get Emotionally Involved! Part 1
- Don’t Get Emotionally Involved! Part 2
- Formatting the Unexpected
- Hidden Cameras: The Truth at All Costs?
- How to Entertain with Social Issues?
- In Love With Knowledge: Inventions on TV
- Interacting With Your Screen
- Morals in Journalism: Where Does a Reporter Stand in Real-Life Tragedy?
- Scientific Experimenting is FUN?
- Some for the Road… – Closing Session INPUT 2015
- Television for the Fucked_ Fucked up_ Fucking up Generation?
- Telling Different Stories Differently
- The Mission of Investigative Journalism
- To Whet Your Appetite…
- When Cross Platform Tries to Change the World
- When Reality Interferes With Reality
-
2016 CALGARY Canada
- Ahaa! or Blaa Blaa? How to turn New Ideas into Aha!-Moments for your Audience
- Closing Session: Some for the Road let's Change Perspective
- Covering the Leaders
- Dealing With History
- Delight_ Confront and Challenge your Audience
- Digital Deception. Everyone is Now a Broadcaster or Publisher
- Don't you Fucking Bore Me
- Formating Intimacy - How New Interview Shows Get Personal
- Kill Bill - (How) Can we adapt Entertainment Asian Style?
- Local is Global - Or is It?
- Love Stories in Troubling Times
- Making Without Faking
- Me_ Myself and Eye
- Observing Brutality against Women in Other Cultures
- Opening Session: Getting Started!
- Poetry in Motion
- Recipes for Creative Storytelling: Artistic Approaches and Techniques
- Stand Alone Session
- Tough Topics: Would you want Your Kids to see This?
- Trying to Make Sense of Conflict
- Watching the Watchers - Surveillance and Privacy on the Web
- Who is the Audience?
-
2017 THESSALONIKI Greece
- Audience on the Edge of a Nervous Breakdown
- Bring Your Own Content
- Closing Session: One for the Road
- Creating Positive Change in Our Communities? Yes We Can!
- Don’t Take Yourself Too Seriously – The Fun Session
- Drama as Enemy of the State How to Produce Drama Amid Threats of Lawsuits and Censorship
- Innovative Arts Programmes: Painter_ Poet_ and Papa
- Interactivity?! Drama Beyond Broadcast
- Let’s Stick Together - Making TV WITH the Public
- Making Stories Travel On the Look-Out for New Sources of Inspiration in the World Drama Arena
- Netflix Originals Produced by Public Service Broadcasters (Why) Are We Becoming Their Development Department?
- New Formats – New Insights?
- Opening Session: Getting Started!
- Playing with People: Experiments on TV
- Popping the Bubble - Building on Stereotypes and Identity
- Simple Ideas
- Targeting Parents: Digital Puberty – The Media and Modern Parenthood
- The Biographer’s Dilemma
- The Cat and the Mouse: Do You Let Your Protagonist Get Away With Murder?
- Too Perfect to Be Real?
- Us and Them
- Using Public Footage and the Shady Boundaries of Revealing the Truth
- Visions of a Young Audience
-
2018 BROOKLYN United States
- #metoo – Looking back … in Admiration. To Those Who Paved the Way
- bye bye brooklyn - Hello bangkok!
- Changing Society_ One Program at a Time
- Coproduce or Die? If public broadcasters fiction wants to survive_ is co-production the answer?
- Creating the Past
- Dedicated to the Moms of the World: Images of Motherhood
- Freshly Crafted With Traditional Tools
- Getting Started: A Pledge for Public Service Media
- History as you Have never Seen it before Innovative ways of using historic archive material to tell new stories
- How to Get the Audience to Discuss Difficult Topics A German and a Dutch approach topped off with some Polish inspiration
- Inside Stories – Public TV Points the Camera at Itself Public TV employees sharing personal stories that matter to them
- I’m a Person not a Disability The collateral damage of inclusion
- Let’s Go One Step Further! Looking closer and closer - at LGbT history_ rights and lives
- Let’s Make Our Political Programming Great Again
- Making bacteria Attractive to the Audience
- Parental Guidance Suggested The role of public broadcasters in the area of Children’s Programming
- People_ History and racial Perspectives
- Real(ity) Drama
- Telling War Stories_ Far From the Front Lines
- The Vertical Canvas: Making Programs for Phones
- Under the Influence - Youtubers for a Change
- Visual Storytelling How to sharpen the visual aspects of our stories
- Was it Good for you? Sleeping With the Enemy
- Who the Hell Is Interested In Older People? They are the most loyal viewers_ yet they are bored by themselves
-
2019 BANGKOK Thailand
- Beyond the Soundtrack - When Music Is the Main Point
- Blast From the Past: Why Now?
- Building Better Lives at
- Capturing Love: How Can We Get Close Without Ruining the Moment?
- Chasing The Young
- Confronting Hate
- Do They Know What They’re getting Into?
- Documenting the Vulnerable: Telling the Stories of Young People in Tough Situations
- Documenting Traditional Cultures and the Pull of Modernity
- Getting Behind the Headlines
- Getting to Work
- I Was There
- In Search Of... On a Trail of Investigations_ Exposés and Everyday Questions
- Is Public TV a Safe Space?
- Keeping It Real: Creating the Feeling of Authenticity
- Living in the Real World
- My World / Your World: Creative Ways to Take Viewers Into Other People’s Lives
- Oh My God My Granddad Is an Avatar! Building Digital Bridges Between Age Groups!
- Opening
- Playing With Science
- Portraying Heroes: How to Tell Stories That Resonate
- Should I Stay_ or Should I Go? The Good and the Bad Side of Social Media!
- The Power of Silence: Showing vs. Telling
- When The Worst Happens: From Whose Point of View
- Who Are You to Tell Me Who I Am?!
- Who Gets to Be Funny?
-
2010 BUDAPEST Hungary
-
2020-2029
-
2022 BARCELONA Spain
- Beyond Ticking Boxes: Television Fiction With an Immersive Approach to Diversity and Inclusion. Experience it! Storytelling from within the path from representation to identification
- Does the End Justify the Means? Evil Formats for a Good Cause! Diversity in Reality TV
- Family Matters. Challenges and pitfalls in telling stories of our family history.
- Hey Just Get Out of the Way! Under-represented people telling their own stories effectively
- How Far Should We Go? When covering a humanitarian crisis involves putting yourself and others at risk.
- Images Speak Louder Than Words: The Medium and the Message. How to choose the most effective tools in animation and other trong visual storytelling.
- Love Murder and Secrets. Unlocking the elements that inspire the audience to watch the next episode.
- Media and Politics. How do they correlate?
- No Cat Content Needed! Useful tips & tricks for audience-centred content development without neglecting PSM values.
- Pandemic Programing: Good Things That Accidentally Came out of It. Lockdown Wonders Nr. 2 - How Covid-19 taught us to act quicker change workflows and dare try new stuff out.
- Portraying Abuse. Stand Alone: How to tell a difficult story involving vulnerable collectives.
- Present With a Difference Experiences with non-conventional or non-professional presenters
- Protecting the Vulnerable: Examining Social Care Institutions. How can fiction shape debates about such public institutions?
- Public Service Media on Their Toes. Lockdown Wonders Nr. 1 - PSM’s answers to the extraordinary pandemic situation
- Relax! This Is Not a History Lesson Bringing the Past Alive Without Putting Audiences to Sleep. Finding more inventive and subversive ways to use archives and when to avoid using them
- Smash Patriarchy One Story at a Time! Fiction written by women that tackle gender-sensitive topics
- Special Session. Reporting on a War
- Talking ‘bout my Generation: Young Creators New Audiences? Fiction for and created by the young
- The Best of Two Worlds: Good Formats for a Good Cause! How can programs commit to a noble cause and be entertaining at the same time?
- The Drama and Passion of High School Teen Life Teachers and Parents. Creating must see co-watching series for students and their families.
- The Invisibles. How to visualise those who cannot give witness (anymore)
- The Naked Truth: Challenging Faction: How does the combination of documentary elements and fiction add up to a final result?
- The New Normal: Approaches to Program-making That Are Here to Stay! Or Not? Lockdown Wonders Nr. 3 - Will the pandemic change our ways for good?
- Visually Giving A Voice. Difficult subjects and untraditional protagonists
- Who Is Not Crazy for Views? Pros and Cons of being successful on social media platformsand how this affects content and storytelling.
- Wrap it in! Comedy/dramedy! How can humour tackle serious issues?
- You Want The Truth? You Can’t Handle The Truth! Uncomfortable Investigations keeping the audience’s attention when factual nitty-gritty complicates the narration
-
2023 TAIPEI Taiwan
- (Not) In My Face Push or pull? How to get your message across on social issues in fiction
- Blurred Lines Where does Factual end and Fiction start?
- Close to Home Setting Up Your Camera on Your Doorstep
- Creative Recreations Are Dramatisations a Storytelling Thriller or Filler — or even a Killer?
- Different Tools to Unlock the Past What do an aviation disaster and the invention of the corset have in common? Yes; you are right: History.
- Do You Love Me; Do You Accept Me; Or Could You at Least Vote For Me? Personal revelations from protagonists and what we have to bear in mind
- Documentary Productions Across Borders: Towards a Win-Win in co-production
- Hardcore Public Broadcasting Should PSM be a vehicle for advocating certain values and positive social change? And who determines what positive social change is?
- How Weird is Too Weird? Misfits as Comical Cure in Times of Crisis
- Ingenious indigenous! How can indigenous broadcasters contribute to the preservation and increased use of native languages that are threatened with extinction?
- Investigating Invisible Crimes How to make audiences connect with how we tell stories about crimes that usually take place behind closed doors.
- Let’s Talk About Sex — But How? Innovative Formats on Sex Education
- Move over Professor! Broadcasting the Wisdom of Crowds How to transform the audience into a smart participant
- Pushing Impartiality to its Limits Holding the line on being fair and balanced under extreme circumstances
- Re-imagining the Role of the Presenter
- Reporting on Challenges Through the Eyes of Children
- Special Session Input @ Input — A Look Around the World of TV Trends: What impulses can we take away from commercial television?
- Special Session This Is Not the World We Want To Live In How PSM advocate social impact and active citizenship
- Special Session — PTS Rising Immersive VR/XR Power: Meet Taiwanese Talents
- Storytelling to and with the Audience: How not to mess it up
- The Charismatic Protagonist
- To Cut it Short Dos and Don’ts in short form storytelling
- Unconventional Culture Introducing creative and entertaining ways to bring the arts to television
- Watch out: Young Audience! How to inform in No Time
- We Will Survive! Crises and how to deal with them on PSM
- Who Am I? Lost in Identity Is the coming-of-age drama in transition?
-
2024 Charleston USA
- Decolonizing storytelling: Creating real space for re-telling the complete story
- Good company
- Guinea pigs: Storytelling in front of the camera
- Hope & Healing: Finding a light in the dark
- Hope and Healing: Finding a light in the dark
- I DOUBLE DARE YOU!
- I need a hero: Beware of creating heroic figures — you never know where they go
- INPUT in the world — the world in INPUT
- Just fun and games?
- Legacy: grasping storytelling using personal footage
- Mario Daza
- Now you see me: offering perspectives instead of changing perceptions
- OMG I can’t stop watching: Maybe we are all just nosy neighbors
- Pay attention. This is serious stuff!
- Playing with history: Finding historical sources in unlikely places
- Rules be damned! Catch new audiences by adding art to the storytelling rule book
- Sessio9 Now you see me: offering perspectives instead of changing perceptions
- Social Listening and the Vital Role of Public Media in Navigating Misinformation
- Some like it hot
- State of the Art Does the art shine through and find fresh inspiration?
- Surviving the storytelling: The risks we take when telling a multi-perspective story about tragedy
- Taking big risks: trail blazers or copy cats?
- The incomplete picture: How to tell a story with little or no access
- The tropes of travelling formats: Three showcases of programs that could cross borders. Or not?
- To do or too taboo? Sex death and mental health how do we engage viewers with the uncomfortable?
- Various positions of AI: A sceptical and flabbergasted introduction to the current use of AI in Public Service media
- We are family (or how to exploit your dearest)
- When documentary becomes part of history
- You be the judge Moving from B and W to shades of grey
- You be the judge Moving from B&W to shades of grey
-
2022 BARCELONA Spain
- Home
-
INPUT
- 1970-1979
-
1980-1989
- 1980 WASHINGTON USA
- 1981 VENICE Italy
- 1982 TORONTO Canada
- 1983 LIEGE Belgium
-
1984 CHARLESTON USA
- A long way from home
- All in the family
- Arts Showcase 1
- Arts Showcase 2
- Arts Showcase 3
- Clandestine
- Electronic (in)decency
- Facing up to fear
- Fiction from three worlds
- Friends in an alien landscape
- Human rights
- In and out of work
- Is there life after TV?
- On becoming free
- On-demand INPUT 1984
- Portraits of survival
- See you tomorrow?
- Stories from Africa
- The play’s the thing (Part 1)
- The play’s the thing (Part 2)
- The play’s the thing (Part 3)
- Told_ untold_ retold
- TV art on art
- Under the skin
- We don’t need no education
- Where are the Russians?
- Who cares?
- With god on our side
-
1985 MARSEILLE France
- After the bomb (The age of anxiety)
- Angry men (The battle of the sexes)
- Angry women (The battle of the sexes)
- Art revealing art (Art and artists)
- Confrontations (Story telling)
- Everyday_ everywhere: stress (The age of anxiety)
- Explorations: amusing lessons (Story telling)
- Extending the boundaries of consciousness (TV as a catalyst for change)
- Implications of video revolution
- In the tide of history (Television and the past)
- Law and disorder
- Leaving home (Story telling)
- Let the people talk (Truth is selective)
- On-demand INPUT 1985
- Performance (Art and artists)
- Perspectives on a theme: World War II (Television and the past)
- Portraying Personal Troubles
- Recession and recovery (The age of anxiety)
- Reds (Television and the past)
- Television and politics (session 1)
- Television and politics (Session 2)
- The artist in exile (Art and artists)
- The fear of tomorrow (The age of anxiety)
- The individual vs. The state (Story telling)
- The language of images (Art and artists)
- TV and Taboos—Is TV voyeuristic (1)
- TV and Taboos—Is TV voyeuristic (2)
- World War II: the sequel (Television and the past)
-
1986 MONTREAL Canada
- A lot for less? Part I – Documentaries
- A lot for less? Part II - Dramas
- A video anthology
- A world under the electronic spell
- Authored documents
- Beating Dallas
- Big pictures on small screen
- Big puzzle on small screen
- Broadcasted ethics: whose side are you on?
- Camera’s steady gaze
- Crossing the divide
- Dangerous classics
- Docudrama and dramadoc
- Elements of style
- Emotional landscapes
- Fiction or reality?
- Intimates scenes
- Music – something else
- Myth and reality
- On - demand INPUT 1986
- Personal stories / political issues
- Scanning our times: here and there!
- Shocking the viewer. How far?
- Surviving a system
- Television and the state
- The present screens the past
- Thou shalt watch!
- TV’s outsiders: personal visions
-
1987 GRANADA Spain
- A cry from the heart
- Beyond emotions
- Big ideas for a little screen
- Committed or not
- Committing video suicide
- Didn´t you read the script?
- Drama or documentary on South Africa?
- Emotional memories
- Finding creativity
- Finding Identities
- How much is too much
- I could have danced all night
- Images for the horrors of extermination
- In the midst of life-we are in death
- Investigative Journalism
- J'accuse
- Knocking down the walls
- Looking back in anger
- Mind your own illness
- Music video and visual music
- New trends in tv drama
- News as a show
- Old programmes_ new formats
- On - demand INPUT 1987
- Ordinary People
- Personal Worlds
- Sugar and spice: beyond the cliches
- The missionary position
- TV on filmmakers
- What am I like
- When power corrupts
-
1988 PHILADELPHIA USA
- A sense of place
- Are we going too far?
- Artists: Who are they and how do they do it?
- As time goes by… or_ time: on our side?
- Capturing Youth
- Classics: violating the text
- Dramatizing artists and ideas
- Filling the screen: big TV on small budgets
- First there was the word…
- From one medium to another
- I am my own camera
- If you can use your tools you can use mine
- Impossible investigations
- Investigating disparities
- It’s not the method –it’s the message
- Let’s have fun with suicide and sickness
- Life is the same everywhere? Drama as well?
- Looking at history –murder_ prejudice and every day life
- Looking at history: their own stories
- Me and the shadow
- New dance and performance for camera
- Not for Dr. Strangelovers only
- On demand INPUT 1988
- People vs. the powers that be
- Personal visions
- Persuasion: a morning at the fights
- Politics and religion
- Portraits: Are they true pictures?
- The villain and the victims
- Those kids!
- TV looks at itself
- Using all the means
- Whose story is it_ anyway?
-
1989 STOCKHOLM Sweden
- Approaching disability
- Arts and TV
- Arts and TV – session 1
- Challenging complacency
- Contemporary arts on TV
- Crime does pay
- Defending the truth
- Digging up the past
- Drama and social issues
- Drama: how to tell a story with style
- Drama: the loss of innocence
- First person TV
- Fooling the audience
- Info on sessions not yet introduced for this conference
- Is it fun to tell the truth? Or can serious stories be told in a humorous way? Session 2
- Is it fun to tell the truth? Or can serious stories be told in a humorous way? Session1
- Keeping dignity: from fiction to reality
- On Demand INPUT 1989
- PEARL 1:Open session on drama
- PEARL 2: watching television
- PEARL 3: Video language
- Phantasmagoric productions – session 2
- Phantasmagoric productions –session 1
- Question of identity
- Real time / Television time
- South Africa / From inside – outside
- The sound of reality
- TV looks at itself
- Youth in 1st_ 2nd and 3rd world
- “Orphans”
-
1990-1999
-
1990 EDMONTON Canada
- Back to the theatre
- Beyond the genres
- Cultures_ crossing_ clashes
- Death on the screen
- Dramatic forms: drawing from the old and the new
- Filming ourselves_ opening our souls
- History Stories
- History through his witnesses
- Instant reaction—distant reflection
- Journalism: getting too close to the source?
- Making a life/Making art
- New style for the old ceremony
- Obsession with violence
- On-demand INPUT 1990
- Parables
- Pearls INPUT 1990
- Powers of speech
- Producer courage—David vs. Goliath
- Producer courage—smashing the conventions
- Reality as drama—stronger than the real thing?
- Right under our noses
- Silent voices/intimate views
- Taking the time to see
- The filmmaker and Democracy
- The music within
- The Soap is in danger
- This is not a joke
- Who is speaking?
- Young and Fast
-
1991 DUBLIN Ireland
- Close-ups
- Cover up
- Crying or laughing with reality
- Death of feeling
- Drama unchained: sex_ slime and electrocution
- God on TV
- Let’s boogie
- Low budgets
- New voices form the South
- North / South: looking at ourselves – session 11.
- North / South: North looks south. North looks North. Session 1
- One land_ two ways of trating the hot stuff
- Pearls INPUT 1991
- Points of view: independents in the United States
- Pump up the style
- Quintessential TV
- Reconstruction 11
- Reconstruction 1: documentary history – truth and illusion
- Sounds of silence
- Strong individuals – moving stories
- The East – views from outside_ views from inside
- The role of commentary
- TV wars
- Wars: Setting the Record Straight
- Welcome to the ghetto - arts unlimited session 1
- Welcome to the ghetto – arts unlimited session 11
- What’s courage?
- Whose truth?
-
1992 BALTIMORE USA
- An oblique look 1
- An oblique look 2
- An unknown Europe
- Battle fatigue
- Breaking taboos (or how to put a condom in your carrot)
- Bringing back buried memories
- Challenging the conventions
- Investigation 1: Foot in the door
- Investigation 2: trial by TV
- Leftlovers
- Let’s listen
- Mixed feeling – Mixed Culture
- On-demand INPUT 1992
- Once upon a time
- Pearls INPUT 1992
- So simple_ but it works
- To whom have we given a voice?
- TV confessions
- Where to draw the line?
-
1993 BRISTOL UK
- Do The Right Thing
- Face The Past
- Give It To Me Straight
- Home Movie_ World Movie Part 1: The Universal I
- Home Movie_ World Movie Part 2: Do It Yourself
- How Do You Feel? Voyeurism Or Moral Message?
- I know I´m Right!
- Images of happiness
- Laugh Me Tender
- Lethal People
- Pearls 1
- Pearls 10
- Pearls 11
- Pearls 12
- Pearls 13
- Pearls 14
- Pearls 15
- Pearls 2
- Pearls 3
- Pearls 4
- Pearls 5
- Pearls 6
- Pearls 7
- Pearls 8
- Pearls 9
- Roots
- Short Stories
- Storytelling And Philosophy
- Temptations To Tabloidism
- The Knack of Knowing: 3 Journeys Of Self-Discovery
- The many faces of art
- Violence and the quest for reconciliation
-
1994 MONTREAL Canada
- Ah_ je ris de me voir si belle en ce mirror
- Arts on Television: Do You Get the Idea?
- Arts on television: inside the artist
- Arts on television: Music in pictures
- Arts on television: Nothing but words
- Arts on Television: Unbearable realities
- First you shoot - Part 1: Violence on public television
- First you shoot - Part 2: Violence on public television
- Let´s Put in this Way
- My neighbour knows me better
- New documentary - Part 1
- New documentary - Part 2
- New World Disorder - Part I: My God What a Mess!
- New World Disorder - Part II: We Have a Wonderful Time!
- Pearls 1
- Pearls 10
- Pearls 11
- Pearls 12
- Pearls 13
- Pearls 14
- Pearls 2
- Pearls 3
- Pearls 4
- Pearls 5
- Pearls 6
- Pearls 7
- Pearls 8
- Pearls 9
- Private lives
- Single Plays
- Single plays - Television drama specials
- Take a Simple Idea
- Taking on the big boys
- Youth - Part I: How is public television handling programs for adolescents?
- Youth - Part II: You want to talk sex_ we want to talk aids
-
1995 SAN SEBASTIAN Spain
- All that is left is the music
- Author_ author?
- Breaking the mold
- Breaking the silence
- Cries of pain_ shouts of anger
- Crying and laughing and grasping the past. Four ways of making us remember (Part 1)
- Crying and laughing and grasping the past. Four ways of making us remember (Part 2)
- Dramas for today
- Great things come in small packages
- In search of the lost audience
- Is this new realism? (Part 1)
- Is this the new realism? (Part 2)
- It won´t hurt (Part 2)
- It´ won´t hurt! (Part 1)
- Jurassic classics
- Opera prima
- Pearls 1
- Pearls 10
- Pearls 11
- Pearls 12
- Pearls 13
- Pearls 14
- Pearls 15
- Pearls 16
- Pearls 2
- Pearls 3
- Pearls 4
- Pearls 5
- Pearls 6
- Pearls 7
- Pearls 8
- Pearls 9
- Raining Stones_ naked arias and subway pirouettes
- Serving their purpose
- Television loves revolutionaries... dead (Part 1)
- Television loves revolutionaries... dead (Part 2)
- Transcending time with young images. All the young and girls of their age
- Unexpected ways
- Watching tomatoes in the microwave (Part 1). Television and Explosive Family Matters
- Watching tomatoes in the microwave (Part 2). Television and Explosive Family Matters
- Yes_ but it´s great TV
-
1996 GUADALAJARA Mexico
- Art on the box (Part II)
- Art on the Box - Part I. Craft meets craft in a day of programes on_ about_ around_ above_ below_ with_ why and how the TV box b
- David and Goliath: Does the loudest voice ring clearest?
- Emotional overdose: (part I) Raising one´s voice
- Emotional overdose: (part II) Shock TV or social comment
- Exoticism: temptation to romanticize
- Faces
- From realism to poetry
- He loves me_ he loves me not: making the relationship work on TV
- I' witness
- In retrospect: telling the story_ unravelling the facts
- In your mind_ in your face: behind the facade
- Invisible threads
- Is it a bird? Is it a plane? No_ it´s...
- It takes a child
- It takes an open mind to navigate in the dangerous waters of male & female taboos
- Omni-TV
- Pearls 1
- Pearls 2
- Pearls 3
- Pearls 4
- Pearls 5
- Pearls 6
- Pearls 7
- Pearls 8
- Pearls 9
- Playing with the masters
- Signatures
- So near_ so far
- The emperor´s new clothes
- The power of metaphor
- The roots of dissent
- Think positive!
- Too close to be private - Too private to be close
- Very 'moving' programmes
- You would think it´s predictable. They made it great TV
-
1997 NANTES France
- Beyond the Bars
- Catch More Flies With Honey
- Changing Places - Changing Times
- Gross Exagerations
- Hey_ I´m Talking To You!
- Hitting the Target?
- Houses of Spirits
- I Confess
- Juggling Coulds
- Just the Two of Us
- Labour of Love
- Manufactured Stories: If It Doesn´t Fit Prime Time You´re Dead - Part One
- Manufacturing Stories: If It Doesn´t Fit Prime Time You´re Dead - Part Two
- Once Upon A Time Were Documentarists
- Pearls 1
- Pearls 2 - The Final String
- Picture This: Developing the Negative_ Black on White / White on Black
- Poetry in Motion
- Road Movies of the Soul
- Speak No Evil
- Take Me Along
- The Backrooms of the System
- The New Generation
- Too Much is Too Much
- Too True To Be Good
- Turn Me On_ Turn Me Off_ I Am Your Television!
- You Must Remember This
-
1998 STUTTGART Germany
- Are You Talking to Me?
- Beyond the Obvious
- Blinded by Power
- Challenge (or just trendy?)
- Close Up For the Wide Shot
- Fiction/Non-Fiction: Taking the Game to a New Level
- It Won´t Hurt a Bit
- Just Between the Two of Us
- Look at Me: I Can Seduce You
- My Own Story
- Pearls 1
- Pearls 3
- Pearls 4
- People in despair: Is TV Exposure Good_ Bad or Irrelevant?
- Pleased to Meet You! No Time to Know You?
- Power: In Front of or Behind the Camera
- Presumption of Innocence
- Remains for Today
- Run_ Walk_ Sit Down
- Shame on Your Raitings
- The East-Side Story
- The Estate We´re In
- Tickle My Docs-The Price for Going Prime Time
- TV Spotting: Television Fiction Lost and Found
- TV-Truffles
- Videos Diaries-Who Needs Professionals?
- Youth is wasted on the Young (Oscar Wilde)
-
1999 FORT WORTH USA
- After the War
- At a Respectful Distance
- Between the Lines
- Boys and Girls
- Breaking the Silence
- Cityscapes
- Composing History- Passe Compose
- Crucial Moments: At What Cost?
- Dreams
- Dressed For Success
- Escaping the Sync Sound Prison
- Giving Voice
- How Far Can We Go?
- Into the Fish Bowl: TV Circus
- Mom and Dad
- Morality Tales
- Pearls 1
- Pearls 10
- Pearls 11
- Pearls 12
- Pearls 13
- Pearls 14
- Pearls 15
- Pearls 16
- Pearls 17
- Pearls 18
- Pearls 19
- Pearls 2
- Pearls 20
- Pearls 3
- Pearls 4
- Pearls 5
- Pearls 6
- Pearls 7
- Pearls 8
- Pearls 9
- Poetry of Life
- Political Games
- Private Sphere_ Public Sphere
- S*T*E*R*E*O*T*Y*P*E*S
- Snack TV
- The Art of Entertainment
- Try the Unexpected
- Unusual Artistic Portraits of Artists
- Will This Air On Your Station? Unconventional Use of Archive
- You Could Make It Happen
-
1990 EDMONTON Canada
-
2000-2009
-
2000 HALIFAX Canada
- Budgets
- Departure:Death and Memory
- Distance
- Eureka: An idea that lights the way
- Face/Off
- Family/Familia
- Fictionalizing Fact: What can be done with found footage
- Form
- Gimme Shelter
- Global Responsability
- Haunted
- Impact I
- Impact II
- Intimate: About Personal Integrity
- Justice on Trial
- Legacy
- Literary TV: From Picas to Pixels
- Naked: Films That Expose People on the Edge of Society
- Pamphlets
- Parts
- Pearls I
- Pearls II
- Pearls III
- Pearls IV
- Pearls V
- Pearls VI
- Pearls VII
- Roundabout
- Suitable for Children?
- Tempo: Is television fast enough?
- Testimonies_ Part 1
- Testimonies_ Part 2
- Unusual Fiction
- Up Close_ Personal & Digital
-
2001 CAPE TOWN South Africa
- Art in TV is an art
- Collisions_ culture and clash
- Digital realm
- Encore
- Fiction made for TV
- Freak Shows
- Hard Core Public TV
- Haunting History
- Heavenly hell!
- Magic ears_ magic eyes
- Mutual Feeding
- Natural soap
- Nuts about shorts
- Old genres_ new forms
- Pearl
- PEARL 3:Video language – open session
- Personal is political
- Recreating History
- Resources
- Sex and Hypocrisy
- Showing the invisible
- Slice of Life
- Staring down death
- Teacher in a Box
- The Mirror Cracked
- TV fiction
- We are family
- Yes! It’s entertainment. Yes_ it’s politics!
- Young storytellers
-
2002 ROTTERDAM Netherlands
- Basic Instincts
- Changing Landscapes
- Democracy in Stormy Weather
- Don't Act
- Female Nation
- Film Maker's Responsibility
- Friends on Friends
- Get Shorty
- God Cam
- Grateful Dead
- History Telling
- I'm in the Mood for Love (Simply Because You're a Producer)
- Let's Make History
- National Traumas
- Pearls before Swine
- Searching for the New Family
- Special Formats
- Special Screening
- Telling Hanna(h)'s Story
- The End of the Endless
- The Miracle Cure
- The Perfect 1/2 Hour
- These Strange Things
- Too Close for Comfort ?
- Unfriendly Territory
- War: Image and Reality
- When You've Never Eaten a Strawberry_ You Want to Know What It Tastes Like
- X-Raying the Country
- Youth Formats
-
2003 AARHUS Denmark
- AGENT OF CHANGE
- ARTSY FARTSY?
- BECOMING THE INVESTIGATOR: WHAT HAPPENS WHEN JOURNALISTS TURN INVESTIGATORS?
- BIG STORIES – SMALL SCREENS: GLOBALIZATION
- BRAVE NEW PROGRAMMES
- CATCHY FORMATS
- CONSTRUCTING THE TRUTH: PRAVDA... NIXON... LEGO!
- DANGER ZONE: YOUTH AT RISK
- DEEP THOUGHTS ON TV – A SLEEPER OR A THRILLING RIDE?
- EXPOSING MY FAMILY
- FAST_ CHEAP AND GOOD:FICTION ON A TIGHT BUDGET
- GET THEM TALKING
- HIGH HOPES_ SHATTERED DREAMS AND PULLING THE PIECES TOGETHER
- HOW DID YOU GET THAT FOOTAGE? REMARKABLE MOMENTS – CAUGHT ON VIDEO – NOW BUILD A STORY
- HUMOUR AS THE WEAPON!
- LET’S TRY IT WITH A SONG
- MAKING REAL LIFE STORY LINES
- NOW IT CAN BE TOLD
- PODER! POWER OF TV! – HANDING IT OVER IN THE ANDES
- PRETTY SENORITAS: WHO’S ON TOP?
- RAPPORT: UNWRITTEN CONTRACT
- RISKY BUSINESS – WAR AND PEACE
- SECRET INGREDIENTS FOR FASCINATING FICTION
- SLOW? DULL? - WHO CARES?
- SPECIAL SESSIONS
- STAND ALONE PROGRAMME
- THE HYPER SUBJECTIVE POINT OF VIEW
- TOTALLY INSIDE
- TV AS A VEHICLE FOR DIALOGUE
- TV AS THE KEY TO HIDDEN WORLDS
- WHO IS USING WHOM? – ARE WE BOTH GETTING WHAT WE WANT?
-
2004 BARCELONA Spain
- Beyond Realism
- Case Studies: Roll tape!
- Community
- Creativity on the go
- Devils in the living room
- Don't forget to remember
- Don't worry_ be happy!
- Empowered by Art
- Every picture tells the story
- Everyday people
- Falling Star
- Global Headache
- Golden Years?
- Hide & Seek
- History Lite
- Keep your distance
- Let me explain it!
- Listen to me! Gaining access to the young
- Pearls 1
- Pearls 2
- Portrait of the artist as a hero
- Reel time?
- Swiss Army Knife
- The borderline of fear
- The Write Stuff
- Trust me_ I'm a filmmaker!
- Walking the tightrope
- Who is running the show?
-
2005 SAN FRANCISCO USA
- A World of Shadows
- All You Need is Love
- Cameras Behind Bars
- Confusion with Fusion
- Directing Kids
- Documentary as Therapy
- Filling in Historical Holes
- Imperial Ballroom
- Invading the Private
- It Ain’t Over ‘til the Fat Lady Sings
- Let the Pictures Do the Talking
- Low Budget Imaginative Drama
- Mighty Challenges
- One Man Show
- Post 9/11 Worlds: The battle for hearts_ minds_ and uplinks...
- Public Sex
- Questioning the Lords
- Role of Filmmaker
- Soundtrack of Life
- Stand Alone Programs
- Stand Alone: Faction: Fiction or Fact?
- Stand Alone: Real Family Drama
- The Host...Saint or Sinner?
- The Other Side of Reality
- TV Seeking Justice
- Uprising Future and Past
- Vote for Us! TV’s Impact on Elections and Viceversa!
- Who Will Tell Your Story?
-
2006 TAIPEI Taiwan
- Access Asia
- Analyze This
- Are you Serious?
- Better a Drama
- Blackboard Jungle
- Can we change reality?
- Closed to the public- entering forbidden worlds
- Courage and persistence
- Directing politics
- Dogs in Space
- Enter with care!
- For Your Eyes Only – Families_ Home Video and Public Broadcast
- Let's Give Kids a Voice
- Living History: The Time Tunnel Experience
- Memories Uncovered
- Mindscapes
- Music is it!
- National obsession
- Reaching out to youth
- Speaking up for the cause
- Stand Alone Programs
- The sound of music? Mixing genre
- The Stranger You Know
- Too close for comfort
- Wild_ wild formats
- Without words: hearing with your eyes
-
2007 LUGANO Switzerland
- About Fiction: A Success Story
- Access
- Archiving the Truth
- Crossing Borders
- Different Cultures_ Different Dramas?
- Feed the Monster!
- Frames of Art
- Get Personal: Big voices in small worlds meet small windows on the big world
- Help Yourself
- Honest With/About the Youth
- In-Your-Face TV: Satire_ Irony_ and the Deadly Serious
- Light
- Mind the Gap
- Objective and Subjective Realities:Personalizing the Past
- Pace on Earth
- Playstation
- Presenters’ Trips
- Process or Product
- Recreating History: Where are the boundaries between fact and fiction?
- Responsibility... What?
- TV as Therapy?
- TV on Trial
- War: Behind the Lines
-
2008 JOHANNESBURG South Africa
- Alone in a box
- Art attack
- Beyond correct
- Blow the Whistle
- Caution fragile
- Deraciner le rascisme / Uprooting racism
- Don't be a couch potato
- Ethics_ morality_ guilty
- F+!# Taboos
- Female wanted
- Finally TV
- In the beginning was the word
- Languages of drama
- Let me be myself
- Media Under the Knife – Deconstructing Media in the 21st Century
- Men at work!
- North to Europe-South to Africa
- One person's freedom is another person's
- Public secrets
- The basement tapes
- The elephant in the room
- Thinking about who we are
- Trips to the end of the night
- TV Becoming the Ringmaster
- Watching the detectives
- Whassup Widdat?
- Who owns the arts?
-
2009 WARSAW Poland
- (Copy) Rights
- Avoiding the Obvious
- Disclosure
- East + West - The Dynamics of Perception
- From Stage to Street
- Healthy popcorn
- Hong Paodao
- Is this real? Does it Matter Anyway?
- Just For Fun?
- Let’s Go Local
- Memory: A fi rst Draft of History?
- Mingle_ Swap or Divorce?
- Naked - Public Striptease and beyond
- No Pix? No Problem!
- Once Upon a Time... Storytelling at Its Best
- Open your eyes. Contact your lens.
- Out in the Open
- Prime Time at Stake! Don’t leave the audience slumbering in front of the box.
- Respect
- Stand Alone Session: The Paradilho
- The red race
- This is My Point of View!
- Trust
- TV/Internet Tomorrow_ NOW
- Warning... Viewing Could be Hazardous to Your Health!
- Who is in Control?
-
2000 HALIFAX Canada
-
2010-2019
-
2010 BUDAPEST Hungary
- Actors Writing Fresh Comedy - How Do They Do It?
- Between Fiction and Non-Fiction_ Between Private and Public
- Does Anybody Care About Investigative Journalism?
- Dramas and Traumas: Shrinks_ Patients and the Audience
- Economy on TV: Did We Do Our Job?
- Entering an Obsessed Mind – New Ultra-Focused Thriller Stories
- Heading to the East
- How to Build up and Educate Future Audiences!
- How to Rate High Rating Programmes: The Value of Market Shares in a Multimedia World
- Intimacy Exposed: How far Can We Go?
- Keep It Fresh! Creativity or Technology?
- Look at It My Way – About Filmmaker's Point of View
- Make Programmes – Not Politics!
- Personalising History – The Key to Success?
- Programming TV–Events: Constraints of Schedule and Audience Expectation
- Re-Inventing Archives: Old Pictures – New Stories
- Reality TV: Working with Volunteers_ Actors and Ordinary People
- Taking a Chance With Shrinking Budgets – Ending up With New Kinds of Programmes
- Taking the Bull by the Horns – Public Broadcasters and Controversial Public Issues
- The Art of Turning Science Into Edu-tainment
- The Audience – The Unpredictable Factor!
-
2011 SEOUL South Korea
- Are We Safe From Politics? Who is Really in Control?
- At Your Public Service: Education Made Entertaining!
- Beyond Entertainment
- Changing The World: Strategies to Make a Programme More Effective!
- Did You See That? Visual Ethics in TV Productions
- Don't Know Much About History Telling Old Stories in a New Way
- Exploiting_ Manipulating and Selling Out: Ethics in TV Productions
- Home Key
- How to Make Them Laugh to Love You: The Art of Comedy
- Keeping the Drama in Mixed Genres: Dramedy_ Doc Musical and Cinematic Poem
- Laughter as a Weapon Does it work?
- Learning from Each Other – Generation Conflicts in Drama
- Manipulating Attitudes - From Hollywood Westerns to Modern Social Media
- Programming for Platforms
- Reaching Out to the Youth
- Realistic Fiction vs. Fictional Reality Storytelling on the Verge of Deception
- Recipes to Avoid Disaster - Environmental Issues on TV
- Shaping Reality: From the Real World to Reality in TV
- Something You Don’t Know About Animation
- Test Tube Programming – From Internet to Television
- The Tricked Audience: Motivation and Effects of Delusive Programmes
- Thrilling the Teens Fiction Programmes for the Young Audience
- Village Without Women - The True Story About Three Farmers Without Wives
- Violence on TV: How to Deal with the Dark Side of Mankind!
- Who Do You Think You Are? The Role of Presenters on TV
- Why Should I Bother? TV as a Playground for Personal Missions
-
2012 SYDNEY Australia
- 10 Ways to Involve your Audience and use Social Media
- Accepting New Challenges: Shorter_ Cheaper_ Better?
- Be Inspired: Adapting Successful Drama Elements for Your Audience
- Can You Trust your Broadcaster? Politics and Media
- Change your Behaviour: The Impact of Factual Entertainment Programmes
- Comedy Rules the World: How to make a Hit Comedy Series on the Internet
- Common Ground: The ‘Mother’ of all Co-Productions
- Delivering a Fist of Irony: Current Affairs and Humour
- Don’t be Afraid of Sex! It’s Part of your Culture
- Easy Ways to Deliver Environmental Issues
- Fresh Fiction: Join-In Dramas_ Soap Noirs and other Buzz Creators
- Going for the Young Ones: Recipes to Reach the Next Generation
- Is the Web the Future of Documentaries?
- Mobile Phones as Witnesses: User Generated Content in the News
- New Trends In Comedy: Laughing at/with Outsiders and Fringes
- On Your Doorstep: New Ways of Telling History
- Our Problems are Your Problems: Mass Media and Minority Issues
- The Art of Genre Blending in Arts and Culture
- The Thrill of Political TV Drama
- This is Getting Too Close: When do you Turn off the Camera?
- Too Academic_ too Sophisticated? Delivering Bulky Content
- TV and Public Opinion: Enlightenment or Reinforcing Stereotypes?
- Unconditional Love and Touch Screens
- We Can do Better! Commercial Formats and Public Service Content
-
2013 SAN SALVADOR El Salvador
- 7 Ways to Excite Your Audience & Unusual Intimate Access
- Anatomy of a Daring Documentary: Exchange of Expertise
- Bread and Butter Online Programming
- Crusading Journalism - When Is It Journalism_ When Is It Just a Crusade?
- Desperately Seeking Identity
- Entertaining Fiction Dealing with Tough Issues
- Forget the Make Up_ These Women Are on a Mission!
- Get Me the Ratings! Attracting Attention to Get an Audience
- Growing up With TV
- How to Deliver Tough Topics to Teens
- Industry Buzz: Second Screen Programming
- Man Is Lost - so God Is Back in TV Drama
- My Camera is My Weapon
- Production Matters – Blending Styles and Formats in Current Affairs TV
- Re-discovering Entertainment and Reality Formats for Youth
- The Power of Television: To Hurt or to Hold Back
- Tools to Produce Programmes for Children
- TV Don’t Preach
- What makes Comedy and Satire Concepts Work Nationally - and What Makes Them Travel?
-
2014 HELSINKI Finland
- Chasing the young demographic
- CLOSING SESSION
- Cross media: short form content
- Cross platform and participatory storytelling
- Does cross platform deliver?
- Don’t bore me with history!
- Don’t vote me out_ please!
- Drunk_ desperate and dissatisfied - Do public media mirror or shape social attitudes?
- Fantasy_ sci-fi & psychological thriller - how to produce exciting new fiction worlds?
- Get close with style
- History: It’s not spinach television_ it’s yummy
- How to tell the impossible story?
- Humour and investigation - Are they compatible?
- Hungry for feelgood TV? Check out your local takeaways
- Involve me & I will engage
- Let’s talk about sex - but how?
- Make a strong opening…and keep your promise
- Personal dramas seen in their cultural context
- Research is everything
- Scriptwriting challenges worth taking
- Small ideas + long nights = big fun!
- Stand Alones: Fresh voices in the field
-
2015 TOKYO Japan
- Acting for Real
- Artistic License in History Documentaries
- Avoiding Clichés
- Balancing Between Real Life and Drama: What Are the Pitfalls?
- Be Observational and Get Close
- Being on TV at all Cost?
- Clear Messages for Young Minds
- Connecting with Tweens
- Don’t Get Emotionally Involved! Part 1
- Don’t Get Emotionally Involved! Part 2
- Formatting the Unexpected
- Hidden Cameras: The Truth at All Costs?
- How to Entertain with Social Issues?
- In Love With Knowledge: Inventions on TV
- Interacting With Your Screen
- Morals in Journalism: Where Does a Reporter Stand in Real-Life Tragedy?
- Scientific Experimenting is FUN?
- Some for the Road… – Closing Session INPUT 2015
- Television for the Fucked_ Fucked up_ Fucking up Generation?
- Telling Different Stories Differently
- The Mission of Investigative Journalism
- To Whet Your Appetite…
- When Cross Platform Tries to Change the World
- When Reality Interferes With Reality
-
2016 CALGARY Canada
- Ahaa! or Blaa Blaa? How to turn New Ideas into Aha!-Moments for your Audience
- Closing Session: Some for the Road let's Change Perspective
- Covering the Leaders
- Dealing With History
- Delight_ Confront and Challenge your Audience
- Digital Deception. Everyone is Now a Broadcaster or Publisher
- Don't you Fucking Bore Me
- Formating Intimacy - How New Interview Shows Get Personal
- Kill Bill - (How) Can we adapt Entertainment Asian Style?
- Local is Global - Or is It?
- Love Stories in Troubling Times
- Making Without Faking
- Me_ Myself and Eye
- Observing Brutality against Women in Other Cultures
- Opening Session: Getting Started!
- Poetry in Motion
- Recipes for Creative Storytelling: Artistic Approaches and Techniques
- Stand Alone Session
- Tough Topics: Would you want Your Kids to see This?
- Trying to Make Sense of Conflict
- Watching the Watchers - Surveillance and Privacy on the Web
- Who is the Audience?
-
2017 THESSALONIKI Greece
- Audience on the Edge of a Nervous Breakdown
- Bring Your Own Content
- Closing Session: One for the Road
- Creating Positive Change in Our Communities? Yes We Can!
- Don’t Take Yourself Too Seriously – The Fun Session
- Drama as Enemy of the State How to Produce Drama Amid Threats of Lawsuits and Censorship
- Innovative Arts Programmes: Painter_ Poet_ and Papa
- Interactivity?! Drama Beyond Broadcast
- Let’s Stick Together - Making TV WITH the Public
- Making Stories Travel On the Look-Out for New Sources of Inspiration in the World Drama Arena
- Netflix Originals Produced by Public Service Broadcasters (Why) Are We Becoming Their Development Department?
- New Formats – New Insights?
- Opening Session: Getting Started!
- Playing with People: Experiments on TV
- Popping the Bubble - Building on Stereotypes and Identity
- Simple Ideas
- Targeting Parents: Digital Puberty – The Media and Modern Parenthood
- The Biographer’s Dilemma
- The Cat and the Mouse: Do You Let Your Protagonist Get Away With Murder?
- Too Perfect to Be Real?
- Us and Them
- Using Public Footage and the Shady Boundaries of Revealing the Truth
- Visions of a Young Audience
-
2018 BROOKLYN United States
- #metoo – Looking back … in Admiration. To Those Who Paved the Way
- bye bye brooklyn - Hello bangkok!
- Changing Society_ One Program at a Time
- Coproduce or Die? If public broadcasters fiction wants to survive_ is co-production the answer?
- Creating the Past
- Dedicated to the Moms of the World: Images of Motherhood
- Freshly Crafted With Traditional Tools
- Getting Started: A Pledge for Public Service Media
- History as you Have never Seen it before Innovative ways of using historic archive material to tell new stories
- How to Get the Audience to Discuss Difficult Topics A German and a Dutch approach topped off with some Polish inspiration
- Inside Stories – Public TV Points the Camera at Itself Public TV employees sharing personal stories that matter to them
- I’m a Person not a Disability The collateral damage of inclusion
- Let’s Go One Step Further! Looking closer and closer - at LGbT history_ rights and lives
- Let’s Make Our Political Programming Great Again
- Making bacteria Attractive to the Audience
- Parental Guidance Suggested The role of public broadcasters in the area of Children’s Programming
- People_ History and racial Perspectives
- Real(ity) Drama
- Telling War Stories_ Far From the Front Lines
- The Vertical Canvas: Making Programs for Phones
- Under the Influence - Youtubers for a Change
- Visual Storytelling How to sharpen the visual aspects of our stories
- Was it Good for you? Sleeping With the Enemy
- Who the Hell Is Interested In Older People? They are the most loyal viewers_ yet they are bored by themselves
-
2019 BANGKOK Thailand
- Beyond the Soundtrack - When Music Is the Main Point
- Blast From the Past: Why Now?
- Building Better Lives at
- Capturing Love: How Can We Get Close Without Ruining the Moment?
- Chasing The Young
- Confronting Hate
- Do They Know What They’re getting Into?
- Documenting the Vulnerable: Telling the Stories of Young People in Tough Situations
- Documenting Traditional Cultures and the Pull of Modernity
- Getting Behind the Headlines
- Getting to Work
- I Was There
- In Search Of... On a Trail of Investigations_ Exposés and Everyday Questions
- Is Public TV a Safe Space?
- Keeping It Real: Creating the Feeling of Authenticity
- Living in the Real World
- My World / Your World: Creative Ways to Take Viewers Into Other People’s Lives
- Oh My God My Granddad Is an Avatar! Building Digital Bridges Between Age Groups!
- Opening
- Playing With Science
- Portraying Heroes: How to Tell Stories That Resonate
- Should I Stay_ or Should I Go? The Good and the Bad Side of Social Media!
- The Power of Silence: Showing vs. Telling
- When The Worst Happens: From Whose Point of View
- Who Are You to Tell Me Who I Am?!
- Who Gets to Be Funny?
-
2010 BUDAPEST Hungary
-
2020-2029
-
2022 BARCELONA Spain
- Beyond Ticking Boxes: Television Fiction With an Immersive Approach to Diversity and Inclusion. Experience it! Storytelling from within the path from representation to identification
- Does the End Justify the Means? Evil Formats for a Good Cause! Diversity in Reality TV
- Family Matters. Challenges and pitfalls in telling stories of our family history.
- Hey Just Get Out of the Way! Under-represented people telling their own stories effectively
- How Far Should We Go? When covering a humanitarian crisis involves putting yourself and others at risk.
- Images Speak Louder Than Words: The Medium and the Message. How to choose the most effective tools in animation and other trong visual storytelling.
- Love Murder and Secrets. Unlocking the elements that inspire the audience to watch the next episode.
- Media and Politics. How do they correlate?
- No Cat Content Needed! Useful tips & tricks for audience-centred content development without neglecting PSM values.
- Pandemic Programing: Good Things That Accidentally Came out of It. Lockdown Wonders Nr. 2 - How Covid-19 taught us to act quicker change workflows and dare try new stuff out.
- Portraying Abuse. Stand Alone: How to tell a difficult story involving vulnerable collectives.
- Present With a Difference Experiences with non-conventional or non-professional presenters
- Protecting the Vulnerable: Examining Social Care Institutions. How can fiction shape debates about such public institutions?
- Public Service Media on Their Toes. Lockdown Wonders Nr. 1 - PSM’s answers to the extraordinary pandemic situation
- Relax! This Is Not a History Lesson Bringing the Past Alive Without Putting Audiences to Sleep. Finding more inventive and subversive ways to use archives and when to avoid using them
- Smash Patriarchy One Story at a Time! Fiction written by women that tackle gender-sensitive topics
- Special Session. Reporting on a War
- Talking ‘bout my Generation: Young Creators New Audiences? Fiction for and created by the young
- The Best of Two Worlds: Good Formats for a Good Cause! How can programs commit to a noble cause and be entertaining at the same time?
- The Drama and Passion of High School Teen Life Teachers and Parents. Creating must see co-watching series for students and their families.
- The Invisibles. How to visualise those who cannot give witness (anymore)
- The Naked Truth: Challenging Faction: How does the combination of documentary elements and fiction add up to a final result?
- The New Normal: Approaches to Program-making That Are Here to Stay! Or Not? Lockdown Wonders Nr. 3 - Will the pandemic change our ways for good?
- Visually Giving A Voice. Difficult subjects and untraditional protagonists
- Who Is Not Crazy for Views? Pros and Cons of being successful on social media platformsand how this affects content and storytelling.
- Wrap it in! Comedy/dramedy! How can humour tackle serious issues?
- You Want The Truth? You Can’t Handle The Truth! Uncomfortable Investigations keeping the audience’s attention when factual nitty-gritty complicates the narration
-
2023 TAIPEI Taiwan
- (Not) In My Face Push or pull? How to get your message across on social issues in fiction
- Blurred Lines Where does Factual end and Fiction start?
- Close to Home Setting Up Your Camera on Your Doorstep
- Creative Recreations Are Dramatisations a Storytelling Thriller or Filler — or even a Killer?
- Different Tools to Unlock the Past What do an aviation disaster and the invention of the corset have in common? Yes; you are right: History.
- Do You Love Me; Do You Accept Me; Or Could You at Least Vote For Me? Personal revelations from protagonists and what we have to bear in mind
- Documentary Productions Across Borders: Towards a Win-Win in co-production
- Hardcore Public Broadcasting Should PSM be a vehicle for advocating certain values and positive social change? And who determines what positive social change is?
- How Weird is Too Weird? Misfits as Comical Cure in Times of Crisis
- Ingenious indigenous! How can indigenous broadcasters contribute to the preservation and increased use of native languages that are threatened with extinction?
- Investigating Invisible Crimes How to make audiences connect with how we tell stories about crimes that usually take place behind closed doors.
- Let’s Talk About Sex — But How? Innovative Formats on Sex Education
- Move over Professor! Broadcasting the Wisdom of Crowds How to transform the audience into a smart participant
- Pushing Impartiality to its Limits Holding the line on being fair and balanced under extreme circumstances
- Re-imagining the Role of the Presenter
- Reporting on Challenges Through the Eyes of Children
- Special Session Input @ Input — A Look Around the World of TV Trends: What impulses can we take away from commercial television?
- Special Session This Is Not the World We Want To Live In How PSM advocate social impact and active citizenship
- Special Session — PTS Rising Immersive VR/XR Power: Meet Taiwanese Talents
- Storytelling to and with the Audience: How not to mess it up
- The Charismatic Protagonist
- To Cut it Short Dos and Don’ts in short form storytelling
- Unconventional Culture Introducing creative and entertaining ways to bring the arts to television
- Watch out: Young Audience! How to inform in No Time
- We Will Survive! Crises and how to deal with them on PSM
- Who Am I? Lost in Identity Is the coming-of-age drama in transition?
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2024 Charleston USA
- Decolonizing storytelling: Creating real space for re-telling the complete story
- Good company
- Guinea pigs: Storytelling in front of the camera
- Hope & Healing: Finding a light in the dark
- Hope and Healing: Finding a light in the dark
- I DOUBLE DARE YOU!
- I need a hero: Beware of creating heroic figures — you never know where they go
- INPUT in the world — the world in INPUT
- Just fun and games?
- Legacy: grasping storytelling using personal footage
- Mario Daza
- Now you see me: offering perspectives instead of changing perceptions
- OMG I can’t stop watching: Maybe we are all just nosy neighbors
- Pay attention. This is serious stuff!
- Playing with history: Finding historical sources in unlikely places
- Rules be damned! Catch new audiences by adding art to the storytelling rule book
- Sessio9 Now you see me: offering perspectives instead of changing perceptions
- Social Listening and the Vital Role of Public Media in Navigating Misinformation
- Some like it hot
- State of the Art Does the art shine through and find fresh inspiration?
- Surviving the storytelling: The risks we take when telling a multi-perspective story about tragedy
- Taking big risks: trail blazers or copy cats?
- The incomplete picture: How to tell a story with little or no access
- The tropes of travelling formats: Three showcases of programs that could cross borders. Or not?
- To do or too taboo? Sex death and mental health how do we engage viewers with the uncomfortable?
- Various positions of AI: A sceptical and flabbergasted introduction to the current use of AI in Public Service media
- We are family (or how to exploit your dearest)
- When documentary becomes part of history
- You be the judge Moving from B and W to shades of grey
- You be the judge Moving from B&W to shades of grey
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2022 BARCELONA Spain
Some say: look how many books are not read because of television. Look how much of our collective societal memory i lost because those books are not read. In a way it is true that a people without a memory of its collective experience is condemned to repeat the same mistakes all over again. Can television take the place of all those unread books, and do it in a mass audience level? And in an entertaining way?
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