This is the story of an artist and art collector as seen by an “objective” observer, a psychoanalyst, and as remembered herself, aged and deserted. Childhood memories and recollection intertwine to reconstruct a time of diverse avant-garde, a period when artists made history, when great words and even great hopes changed art and the world itself. In a way, the film is a continuation of “Intolerance” and “Autobus”, previous films by Zemira Alajbegovic and Neven Korda, where the issue and the time frame are different but unifying characteristics are the same: a female character and delving into the past.